描述：2013年3月5日，在英国德文郡德鲁斯泰因顿的提恩河边进行的录音，这里的河水刚刚进入提恩河峡谷的树林；录音机正好在莫尔顿汉普斯特德到惠顿唐公路上通往多格玛什桥的上游的田野里，面向上游，河水在左边。实际上，河水比我2月份在这里录音时要低得多，因此也安静得多以至于我不得不寻找一点水声，这是由另一边进来的支流产生的。 这实际上是我的二次录音，同时我还在上游大约50米左右的地方连续录制了风铃的声音事实上，偶尔也能听到那些风铃，不过大多数时候，如果人们听到它们，也只是潜移默化地听到它们。 http://www.broadhorizonnature.co.uk/recordingchimesbyteign130305generalview.jpg我这组录音的录音室，在刚进入蒂恩峡谷的蒂恩河边，前面是林立的山坡。你很容易看到的是为同时录制风铃而设置的录音机。如果小心一点，你就能看到这个录音机或者说，它的浅色毛茸茸的挡风玻璃。如果你看一下最近的木柱的最顶端，如果你视力好的话，你应该正好能看到它左边的一个轻微的光斑，显然是在草地的远端；就是它，指向后方的上游（即这个方向）。 我（还）不知道你在这段录音中听到的大多数鸟的身份，虽然有茶隼，而且，我想，还有一只远处的乌鸦，肯定偶尔会有一些乌鸦。事实上，如果你用宽广的立体声分离来听，一群乌鸦在上面飞翔的短暂出现会带来特别可爱的声音。一般来说，大部分的鸟类都是林地和灌木丛中的物种， 用索尼PCMM10在Hama迷你三脚架上进行录音，使用内置麦克风覆盖Rode Dead Kitten防风罩。我使用Audacity应用了一个定制的EQ配置文件，以纠正挡风玻璃造成的轻微高频衰减，并纠正低频中的广泛 "驼峰"，这在我所有的录音中最初都是可以听到的。 请注意，这段录音的音量是经过仔细调整的，到目前为止，我所有的录音都是为了在播放古典音乐（大型但不特别的交响乐团）时，能有一个真实的音量设置来听。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。（后记：这个录音声音比这里好在我的一张商业CD上，可以在我的CD商店，还有一些更好、更近的录音，来自泰恩河边的同一小块地方。） 请记得给这个录音打分！ http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：2013年2月18日，过了中午，我不得不从英国德文郡德鲁斯泰恩峡谷西端的亨特托（Hunter's Tor）的录音中撤退，因为在急促的东南风中我太冷了。于是我来到谷底，在渔夫之路旁边的提恩河边寻找一个合适的地方悬挂风铃。结果那里的风太小了只有零星的可用的阵风作为最后的手段，我逆流而上，来到提恩河峡谷的树林外，进入通往多格玛什桥的公路的开阔地的起点。起初，风在这里很好地吹动了树枝，但我认为 "索德法则 "在起作用，因为当我开始第一次录音时，风就减弱了，然后它一般只在零星的温和呼吸中出现，只有罕见的真正有用的阵风，而那些阵风在我在这里进行的三次录音中的第二次确实完全消失了。 然而，一切都没有失去，因为这是一个很好的偶然事件。我想要一件东西，但却得到了另一件。从逻辑上讲，我不可能把录音机和风铃放在正确的相对位置，以达到我想要的录音效果，所以水声比我真正想要的要大，淹没了风铃的安静音调，也淹没了除了最近的鸟声之外的所有声音。这是这里的三张录音系列中的第一张，它的风铃声最多，但几乎没有明显的鸟声。然而，所有这三张录音都是一套非常好的轻轻的湍流的河水声，还有一点钟声和鸟声（后者在其他两张录音中）。我猜想，那些正在寻找可以入睡的声音的人，会非常喜欢这三张录音，而且比我实际要制作的'更激烈'类型的风铃录音更喜欢它们.

描述：On 30th January 2013 I took out with me three sets of wind chimes for recording out in the wild. I was aiming for the same recording location as I used for my previous wind chimes recordings in November 2012 but this time a very strong wind was blowing over the more exposed parts, and, on the Hunters' Path from Drewsteignton (Devon, UK), high up on the side of the socalled Teign Gorge above Fingle Bridge, as I was coming out of the woods that clothe the steep valley slopes I was suddenly blasted by a wind of about gale force (force 8 on the Beaufort scale), and realized that my previous recording locations here would most likely be too windy this time for any chimes recordings. So, I withdrew very slightly back into the top of the woods, descending slightly to just below the top part of the narrow track that ascends steeply from Fingle Bridge to join the Hunters' Path, and found a suitable group of low tree branches that were sufficiently sheltered to be getting a very nice range of wind strength, from very little indeed up to 'fresh' (force 5 on the Beaufort scale), and did my chimes recording there. Then, having completed seven full length chimes recordings, I had just enough time in this short winter day to do a similar length recording just of the wind itself, and, well, this is it As well as the wind commotion, actually the River Teign far below was making its own quieter commotion, for it was particularly full after a lot of heavy rain, but during my whole 5+ hours' recording session I could never quite differentiate between the rushing sound of the Teign and the wind. It is inevitable that the wind commotion will make particularly fatiguing listening when played through anything other than really good speakers / headphones. Also, please note that if you watch the waveform image here on Freesound while playing the excerpts, you will NOT get the proper effect. The big wind gusts sound immensely more powerful and even frightening when you are NOT watching that, so you never know how much more the sound is going to increase, maybe to blow you and indeed the whole of Existence away :) Another listening tip if you have really good and wide stereo separation you will find that the wind sound is not simply a fluctuating roar (really rather boring), but a wonderful drama of ogreish 'wind monsters' chasing around here, there, and who knows where The threedimensional movement really makes an exciting drama of it all. http://www.broadhorizonnature.co.uk/recordingnrtopofwoodsabovefinglebridge.jpgThis photo shows my recording studio for 30th January 2013 almost at the top of the north side of the Teign Gorge, and facing obliquely over the valley, so that the great gusts of wind come roaring from the right and then go careering round over and down into the valley. The sets of chimes visible are the Gypsy Mezzo (left, and further away) and the Pluto (right) though no chimes in this recording.http://www.broadhorizonnature.co.uk/trackhighabovefinglebridge.jpgLooking the other way from near the top of the track ascending from Fingle Bridge, which latter is hidden way down below. The recorder is about 25 metres behind me, just a little down the slope from this track. Recording made with a Sony PCMM10 on a Velbon minitripod, using the builtin microphones covered with a Rode Dead Kitten. http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 5th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively but I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction. Therefore, copies of recordings made in that period, including this one, which I supply on CDs or as licensed copies for commercial use, will have better sound quality and will sound clearer, more 'present', and with more precision of detail than what you hear from here. Please note that only very good speakers / headphones with a very extended and flat frequency response will do this recording real justice, and, as already noted, lesser speakers / headphones would make this sound quite fatiguing to listen to. Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another. Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：这段录音是在2013年3月5日制作的，实际上是我在另一台录音机（应该）在树林边缘录制超级大风铃时进行的二次录音。然而，那段录音从未发生过，因为出现了一些故障，直到我回到家才发现，我所拥有的 "45分钟 "的风铃录音只是一段一秒钟的背景声音。也许是我笨手笨脚地按下了暂停键，没有仔细看清楚，我无意中多按了一下，就重新暂停了录音。 英国德文郡德鲁斯泰因顿的蒂恩峡谷的猎人山峰，是一个狭窄的相当多的岩石山峰，从猎人路向南延伸，只有轻微的海拔变化，从一般陡峭的谷坡上突出来，最后悬崖勒马，进入蒂恩河旁的渔人路北侧的低矮林坡。如果能在猎人山顶的这个南端录制风铃就好了，但树木被限制在该山顶的北端，所以我的风铃录音（据说！）是在那里进行的，现在我可以在南端这里的某个地方设置录音机，以获得不同的视角。在这里，泰恩河的声音更强，但我没有必要把录音机放在猎人山的 "鼻子 "上，因为那里风太大了。后来我发现，我可以在左侧的一个地方（向南看）合理地避开风，从最后的岩石上退下来，把录音机放在那里。另外，有趣的是，从这个地方听河水的声音似乎要近得多不仅声音大，而且更有细节，确实让人觉得比实际情况更近。 在这个地方，河水的声音有两个主要部分。有一个连续的 "白色噪音 "元素，在正前方（即可能低于我的水平线35到40度），还有水的 "咿呀声"，从这个连续的声音向左延伸，远离录音机。这是因为我们直接俯瞰着Drogo Weir（尽管隐藏在树木之下），正是它产生了连续的声音，而潺潺声则从它的下游延伸出来。 我们离我挂风铃的树足够远，你几乎听不到风铃的声音尽管人们有时必然会潜移默化地听到它们。同样，我们离那些树也很远，不可能经常听到那里的鸟叫声，所以在这段录音中，鸟叫声相当稀少，尽管那里的鸟叫声感觉有相当明显的效果。在录音的后期，有一次出现了一个奇怪的短暂的声音，似乎是动物发出的，我怀疑这是一个非常短暂的接近大黄蜂或类似的声音。 用索尼PCMM10在Hama迷你三脚架上进行录音，使用内置的麦克风，用Rode Dead Kitten防风罩覆盖。我使用Audacity应用了一个定制的EQ配置文件，以纠正挡风玻璃造成的轻微高频衰减，并纠正低频中的广泛 "驼峰"，这在我所有的录音中最初都是可以听到的。 请注意，这段录音的音量是经过仔细调整的，到目前为止，我所有的录音都是为了在播放古典音乐（大型但不特别的交响乐团）时，能有一个真实的音量设置来听。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店 。) 请记得给这个录音评分！ http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：这是我于2013年3月5日下午在英国德文郡德鲁斯泰因顿的提恩河边录制的两段风铃中的第二段，就在它进入提恩河峡谷的上游。风力逐渐减弱，所以在这次录音中，风铃不是很活跃，所以它主要是记录河流和鸟鸣，偶尔有轻柔的风铃活动。 http://www.broadhorizonnature.co.uk/recordingchimesbyteign130305generalview.jpg我这组录音的录音室，在刚进入蒂恩峡谷的蒂恩河边，前面是林立的山坡。这些风铃是Gypsy Mezzo和Soprano（都是黑色的管子）以及Chimes of Pluto（银色的管子），后者在这次录音中没有使用。 本录音中的风铃是Music of the Spheres Gypsy Mezzo和Soprano风铃，按东欧吉普赛音阶调音。 这次我吸取了2月份在这里录音的经验，把风铃挂在了另一棵树上，树枝的排列使我能得到更好的声音平衡，同时也因为蒂恩河本身现在更低，所以更安静。此外，我还想在风铃上获得各种不那么近的、甚至是遥远的视角。因此，我把录音机放在离风铃较远的地方，特别是吉普赛风铃，因为它们的音色具有穿透力和 "携带性"。结果，所有的声音元素之间达到了非常美丽和 "甜美 "的平衡这是我在做现场录音时往往不容易做到的。 这是24分钟以上的完整录音中的5分钟节选。 (后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：2013年3月5日，我带着一袋风铃，来到我经常去的风铃实地录制地点英国德文郡德鲁斯泰因顿的泰恩峡谷。然而，这一次，虽然预计会有中等到清新的东南风，但在第一个小时里，迎接我的几乎是完全的平静还有，鸟儿的歌声！所以我没有急着上路。所以我没有急着去那种可能挂风铃的地方（看起来很傻，想在没有风的情况下记录它们！），而是在猎人小道上，刚过我离芬格桥最近的地方（在它上面很高），我在那里的非常陡峭的斜坡上拍摄鸟类，下面远处是蒂恩河翻滚在岩石上的急促声。那么，这段录音就是结果。 鸟儿大多不是很近，因此录音很安静。它只是安详而清新。

描述：2013年2月6日，我带着一套Woodstock Gregorian Tenor风铃和两套Music of the Spheres Gypsy风铃Soprano和Mezzo尺寸的风铃来到英国德文郡的Teign Gorge，后两者的声音完美地融为一体。实际上，我期待着大风的到来，就像我一周前的录音一样，尤其是一夜之间的大风，但事实上，风势已经缓和下来，只有 "强"（蒲福尔等级的6级），但比上次更冷，所以这对我来说必然是更大的挑战（我有雷诺氏病，四肢寒冷的问题）。由于我预计会有大风，所以我选择了与上周相同的地点在穿过山谷边的树林上升到猎人路的顶部附近，因为猎人路正好从顶部的树林中走出来。事实证明，这里仍然可以获得非常有用的风力变化，可以让风铃工作，当阵风穿过树林时也有非常好的声音但一般来说，没有像上周那样壮观的戏剧性。 我确实尝试过将格里高利钟声和吉普赛钟声结合在一起但这两种钟声不兼容，一起产生了混乱的不和谐的胡言乱语，我删除了用这种组合做的两段录音但幸运的是，我又继续将我今天拿出来的东西做得最好，结果录音的效果相当好，有来自远处泰恩河的漂亮背景音，而定期穿过树林的较大阵风的声音细节也很可爱，有助于赋予声音景观特别立体的质量。 这段录音是伍德斯托克格里高利次中音风铃，按照格里高利圣歌的音阶调音，使其发出明亮而 "宏大 "的声音http://www.broadhorizonnature.co.uk/trackhighabovefinglebridge.jpg从Fingle Bridge上升的轨道顶部附近向另一边看去，后者隐藏在下面。录音机在我身后约15米处，就在这条轨道的斜坡上。 用索尼PCMM10在Velbon迷你三脚架上进行录音，使用内置的麦克风，用Rode Dead Kitten防风罩覆盖。我使用Audacity应用了一个自定义的EQ配置文件来纠正挡风玻璃造成的高频消音。 请注意，只有非常好的扬声器/耳机具有非常宽广和平坦的频率响应，才能使这段录音真正公正。 还请注意，这段录音的音量已经被仔细调整过了，到目前为止，我所有的录音都是要用一个音量设置来听的，这个音量设置可以为古典音乐（一个大型但不特别的交响乐团）的播放提供一个真实的水平。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店 。) 请记得给这个录音评分！ http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：On 6th February 2013 I took out with me to the Teign Gorge, Drewsteignton, Devon, UK, a set of Woodstock Gregorian Tenor Chimes and two sets of Music of the Spheres Gypsy wind chimes the Soprano and Mezzo sizes, the sounds of which latter two mesh together beautifully. I was actually expecting a gale as I experienced for my recordings a week before, especially as there had been a gale overnight, but in fact the wind had eased down to a mere 'strong' (force 6 on the Beaufort scale), but it was colder than last time, so this was bound to be more challenging for me (I have Raynaud's disease, the cold extremities problem). Because of my expectations of a gale, I made for the same spot as last week near the top of the track ascending through the valleyside woods to join the Hunters' Path just as it emerges from the woods at the top. This proved still to get a very useful variation of wind strength to work the chimes, also with very nice sound as the wind gusts came through the trees but generally nothing as spectacularly dramatic as I'd had last week. I did actually try combining Gregorian and Gypsy Chimes but these turned out to be incompatible, together producing a chaotic discordant gibberish, and I deleted the two recordings I made with that combination but fortunately I then went on to make the best of what I had taken out this day, and the resultant recordings have turned out quite beautifully, with a nice background sound from the River Teign far below, and the periodic larger gusts of wind coming through the trees having a lovely detail of sound and helping to give the soundscape a particularly threedimensional quality. This recording is of the Music of the Spheres Gypsy Mezzo chimes, tuned to an Eastern European Gypsy scale, which gives them a hauntingly doleful sound. One curious thing is that the Gypsy chimes (only) at this particular spot on this particular day produced an odd nonmusical tapping sound at each strike of the tubes on the central 'striker' something very apparent in this recording. I had not heard that sound in my previous recordings of these chimes, including those made with the Gypsy Chimes hanging on the very same branches last week really quite weird, and I'm baffled as to the cause of that. Both the Gypsy sets were doing that, but not the Gregorian chimes, and also my afternoon recording of the Gypsy Soprano chimes down below, by the River Teign, did not produce that tapping sound at all. Just maybe I wonder if this was a temperature thing, and the air temperature of about 4 degrees C in this high position was just low enough to change the physical properties of those chimes' strikers to cause that tapping sound. This is a 5minute excerpt from the 20+ minutes full recording. http://www.broadhorizonnature.co.uk/recordingnrtopofwoodsabovefinglebridge.jpgThis photo shows my recording studio for this occasion, but taken the previous week during my gale sequence almost at the top of the north side of the Teign Gorge, and facing obliquely over the valley, so that the gusts of wind come from the right and then some come swirling around here before they continue across or down into the valley as they will. The sets of chimes visible are the Gypsy Mezzo (left, and further away) and the Pluto (right, not used this time).http://www.broadhorizonnature.co.uk/trackhighabovefinglebridge.jpgLooking the other way from near the top of the track ascending from Fingle Bridge, which latter is hidden way down below. The recorder is about 15 metres behind me, just a little down the slope from this track. Recording made with a Sony PCMM10 on a Velbon minitripod, using the builtin microphones covered with a Rode Dead Kitten windshield. I have used Audacity to apply a custom EQ profile to correct for the high frequency muffling caused by the windshield. Please note that only very good speakers / headphones with a very extended and flat frequency response will do this recording real justice. Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another.(Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore.) Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：2013年2月18日，过了中午，我不得不从英国德文郡德鲁斯泰恩峡谷西端的亨特托（Hunter's Tor）的录音中撤退，因为在急促的东南风中我太冷了。于是我来到谷底，在渔夫之路旁边的提恩河边寻找一个合适的地方悬挂风铃。结果那里的风太小了只有零星的可用的阵风作为最后的手段，我逆流而上，来到提恩河峡谷的树林外，进入通往多格玛什桥的公路的开阔地的起点。起初，风在这里很好地吹动了树枝，但我认为 "索德法则 "在起作用，因为当我开始第一次录音时，风就减弱了，然后它一般只在零星的温和呼吸中出现，只有罕见的真正有用的阵风，而那些阵风在我在这里进行的三次录音中的第二次确实完全消失了。 然而，一切都没有失去，因为这是一个很好的偶然事件。我想要一件东西，但却得到了另一件。从逻辑上讲，我不可能把录音机和风铃放在正确的相对位置，以达到我想要的录音效果，所以水声比我真正想要的要大，淹没了风铃的安静音调，也淹没了除了最近的鸟声之外的所有声音。这是这里的三张录音系列中的第二张，它的风铃声比第一张少，但至少作为补偿，鸟声更明显。然而，所有这三张录音都是一套非常好的轻柔湍急的河水声，还有一点钟声（在这张录音中最多）和鸟声（由于某种原因，只在这里的其他两张录音中明显听到）。我猜想，那些正在寻找可以入睡的声音的人，会非常喜欢这三张录音，而且比我实际要制作的 "更激烈 "的风铃录音更喜欢它们。 http://www.broadhorizonnature.co.uk/recordingchimesplutogypsybyteign1302182.jpg我录制这组录音的工作室，在刚进入蒂恩峡谷的蒂恩河边。录音机实际上比照片上看起来更接近风铃。这些风铃是Gypsy Mezzo和Soprano（黑色管子）和Pluto风铃（银色的管子，在这里因为反射的颜色而显得很刺眼）。 录音中的风铃是冥王星的伍德斯托克风铃，调谐在一个光芒四射、听起来很 "快乐 "的五声音阶上，以及球体音乐的吉普赛女中音和女高音风铃，调谐在一个东欧的吉普赛音阶。这两个音阶的相互作用产生了一种耐人寻味的效果，似乎从根本上改变了两个音阶的性质，并产生了不同于任何一个音阶的声音。 这是23分钟以上的完整录音中的5分钟节选。 (后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店 《野外的风铃》第五卷。) 用索尼PCMM10在Velbon迷你三脚架上进行录音，使用内置的麦克风，用Rode Dead Kitten防风罩覆盖。我使用Audacity应用了一个自定义的EQ配置文件来纠正挡风玻璃造成的高频消音。 请注意，只有非常好的扬声器/耳机具有非常宽广和平坦的频率响应，才能使这段录音真正公正。 还请注意，这段录音的音量已经被仔细调整过了，到目前为止，我所有的录音都是要用一个音量设置来听的，这个音量设置可以为古典音乐（一个大型但不特别的交响乐团）的播放提供一个真实的水平。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。 请记得给这个录音打分！ http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：2013年2月18日，过了中午，我不得不从英国德文郡德鲁斯泰恩峡谷西端的亨特托（Hunter's Tor）的录音中撤退，因为在急促的东南风中我太冷了。于是我来到谷底，在渔夫之路旁边的提恩河边寻找一个合适的地方悬挂风铃。结果那里的风太小了只有零星的可用的阵风作为最后的手段，我逆流而上，来到提恩河峡谷的树林外，进入通往多格玛什桥的公路的开阔地的起点。起初，风在这里很好地吹动了树枝，但我认为 "索德法则 "在起作用，因为当我开始第一次录音时，风就减弱了，然后它一般只在零星的温和呼吸中出现，只有罕见的真正有用的阵风，而那些阵风在我在这里进行的三次录音中的第二次确实完全消失了。 然而，一切都没有失去，因为这是一个很好的偶然事件。我想要一件东西，但却得到了另一件。从逻辑上讲，我不可能把录音机和风铃放在正确的相对位置，以达到我想要的录音效果，因此水声比我真正想要的要大，淹没了风铃的安静音调，也淹没了除了最近的鸟声之外的所有声音。然而，所有这三段录音都是一套非常好的温柔湍急的河水声，还有一点钟声和鸟鸣声。 这是这里的三张录音系列中的最后一张，它的风铃声最少，但至少作为补偿，鸟声反而更明显。我猜想，那些正在寻找可以入睡的声音的人，会非常喜欢这三段录音，而且比我实际要制作的 "更刺激 "类型的风铃录音更喜欢它们。 http://www.broadhorizonnature.co.uk/recordingchimesplutogypsybyteign1302182.jpg我录制这组录音的工作室，在刚进入蒂恩峡谷的蒂恩河边。录音机实际上比照片上看起来更靠近风铃。这些风铃是Gypsy Mezzo和Soprano（黑色管子）和Pluto风铃（银色的管子，在这里因为反射的颜色而显得很刺眼）。 这段录音中的风铃是Music of the Spheres Gypsy Mezzo和Soprano风铃，按东欧吉普赛音阶调音。 这是32分钟以上的完整录音中的5分钟节选。 用索尼PCMM10在Velbon迷你三脚架上进行录音，使用内置的麦克风，用Rode Dead Kitten防风罩覆盖。我使用Audacity应用了一个自定义的EQ配置文件来纠正挡风玻璃造成的高频消音。 请注意，只有非常好的扬声器/耳机具有非常宽广和平坦的频率响应，才能使这段录音真正公正。 还请注意，这段录音的音量已经被仔细调整过了，到目前为止，我所有的录音都是要用一个音量设置来听的，这个音量设置可以为古典音乐（一个大型但不特别的交响乐团）的播放提供一个真实的水平。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。 请记得给这个录音打分！ http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：这是我于2013年3月5日下午在英国德文郡德鲁斯泰因顿的提恩河旁录制的两首风铃，就在它进入提恩河峡谷的上游很近的地方，

描述：On 30th January 2013 I took out with me a set of Woodstock Chimes of Pluto and two sets of Music of the Spheres Gypsy wind chimes the Soprano and Mezzo sizes, the sounds of which latter two mesh together beautifully. I was aiming for the same recording location as I used for my previous wind chimes recordings in November 2012 but this time a very strong wind was blowing over the more exposed parts, and, on the Hunters' Path from Drewsteignton (Devon, UK), high up on the side of the socalled Teign Gorge above Fingle Bridge, as I was coming out of the woods that clothe the steep valley slopes I was suddenly blasted by a wind of about gale force (force 8 on the Beaufort scale), and realized that my previous recording locations here would most likely be too windy this time. So, I withdrew very slightly back into the top of the woods, descending slightly to just below the top part of the narrow track that ascends steeply from Fingle Bridge to join the Hunters' Path, and found a suitable group of low tree branches that were sufficiently sheltered to be getting a very nice range of wind strength, from very little indeed up to 'fresh' (force 5 on the Beaufort scale). Thus today was an opportunity to record a gale in the woods, with wind chimes intermingled in the wind sound and indeed quite often buried in it as the most powerful gusts came. The results turned out to be interesting and very much in accordance with what I had been hankering after for as long as I'd been thinking of recording wind chimes. It is important, therefore, to enable yourself to perceive this particular day's recordings NOT as 'failed' or otherwise bad chimes recordings, but as extremely successful galeinthewoods recordings complete with wind chimes. As well as the wind commotion, actually the River Teign far below was making its own quieter commotion, for it was particularly full after a lot of heavy rain, but during my whole 5+ hours' recording session I could never quite differentiate between the rushing sound of the Teign and the wind. One thing you are bound to notice is that the degree of activity of the chimes does not tally all that much with the degree of roaring of the wind in the trees. This is because of my relatively sheltered position, so the big and powerful eddies in the flow of the air as it comes over the hill into the valley go careering through the tree branches above and around me, but the gusts that come to me and the recorder and chimes are almost all NOT those directly but smaller subsidiary eddies that come spinning off the big ones. It is inevitable that the wind commotion will make particularly fatiguing listening, especially to the fulllength recordings, when played through anything other than really good speakers / headphones. Please note that in the fulllength recordings made on this day, ALL of them have some awesomely powerful and loud wind gusts that at times virtually drown out the chimes, so any of the excerpts here seeming louder or quieter than others is in fact misleading, as all the full length recordings have very loud and also almost quiet (albeit far from silent) moments. Please note also, that if you watch the waveform image here on Freesound while playing the excerpts you will NOT get the proper effect. The big wind gusts sound immensely more powerful and even frightening when you are NOT watching that, so you never know how much more the sound is going to increase, maybe to blow you and indeed the whole of Existence away :) Another listening tip if you have really good and wide stereo separation you will find that the wind sound is not simply a fluctuating roar (really rather boring), but a wonderful drama of ogreish 'wind monsters' chasing around here, there, and who knows where The threedimensional movement really makes an exciting drama of it all. This recording is of the Music of the Spheres Gypsy Mezzo chimes. Without being combined with chimes tuned to other scales, the weird, emotionally intense quality of these chimes is able to sing out, with the distinctive doleful sound of the Gypsy chimes of this larger size. This is a 5minute excerpt from the 30+ minutes full recording. http://www.broadhorizonnature.co.uk/recordingnrtopofwoodsabovefinglebridge.jpgThis photo shows my recording studio for 30th January 2013 almost at the top of the north side of the Teign Gorge, and facing obliquely over the valley, so that the great gusts of wind come roaring from the right and then go careering round over and down into the valley. The sets of chimes visible are the Gypsy Mezzo (left, and further away) and the Pluto (right).Note that the former being further away is not a bit of carelessness of mine, but a quite deliberate placement. I learnt from my first Gypsy Chimes recordings (back in November) that for best results those particular chimes need to be placed further from the microphones than the Woodstock or bamboo chimes (at least, those that I have), on account of their more penetrating and potentially overpowering tone.http://www.broadhorizonnature.co.uk/trackhighabovefinglebridge.jpgLooking the other way from near the top of the track ascending from Fingle Bridge, which latter is hidden way down below. The recorder is about 25 metres behind me, just a little down the slope from this track. Recording made with a Sony PCMM10 on a Velbon minitripod, using the builtin microphones covered with a Rode Dead Kitten. http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 5th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively but I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction. Therefore, copies of recordings made in that period, including this one, which I supply on CDs or as licensed copies for commercial use, will have better sound quality and will sound clearer, more 'present', and with more precision of detail than what you hear from here. Please note that only very good speakers / headphones with a very extended and flat frequency response will do this recording real justice, and, as already noted, lesser speakers / headphones would make this sound quite fatiguing to listen to. Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another.(Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore.) Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：On 30th January 2013 I took out with me a set of Woodstock Chimes of Pluto and two sets of Music of the Spheres Gypsy wind chimes the Soprano and Mezzo sizes, the sounds of which latter two mesh together beautifully. I was aiming for the same recording location as I used for my previous wind chimes recordings in November 2012 but this time a very strong wind was blowing over the more exposed parts, and, on the Hunters' Path from Drewsteignton (Devon, UK), high up on the side of the socalled Teign Gorge above Fingle Bridge, as I was coming out of the woods that clothe the steep valley slopes I was suddenly blasted by a wind of about gale force (force 8 on the Beaufort scale), and realized that my previous recording locations here would most likely be too windy this time. So, I withdrew very slightly back into the top of the woods, descending slightly to just below the top part of the narrow track that ascends steeply from Fingle Bridge to join the Hunters' Path, and found a suitable group of low tree branches that were sufficiently sheltered to be getting a very nice range of wind strength, from very little indeed up to 'fresh' (force 5 on the Beaufort scale). Thus today was an opportunity to record a gale in the woods, with wind chimes intermingled in the wind sound and indeed quite often buried in it as the most powerful gusts came. The results turned out to be interesting and very much in accordance with what I had been hankering after for as long as I'd been thinking of recording wind chimes. It is important, therefore, to enable yourself to perceive this particular day's recordings NOT as 'failed' or otherwise bad chimes recordings, but as extremely successful galeinthewoods recordings complete with wind chimes. As well as the wind commotion, actually the River Teign far below was making its own quieter commotion, for it was particularly full after a lot of heavy rain, but during my whole 5+ hours' recording session I could never quite differentiate between the rushing sound of the Teign and the wind. One thing you are bound to notice is that the degree of activity of the chimes does not tally all that much with the degree of roaring of the wind in the trees. This is because of my relatively sheltered position, so the big and powerful eddies in the flow of the air as it comes over the hill into the valley go careering through the tree branches above and around me, but the gusts that come to me and the recorder and chimes are almost all NOT those directly but smaller subsidiary eddies that come spinning off the big ones. It is inevitable that the wind commotion will make particularly fatiguing listening, especially to the fulllength recordings, when played through anything other than really good speakers / headphones. Please note that in the fulllength recordings made on this day, ALL of them have some awesomely powerful and loud wind gusts that at times virtually drown out the chimes, so any of the excerpts here seeming louder or quieter than others is in fact misleading, as all the full length recordings have very loud and also almost quiet (albeit far from silent) moments. Please note also, that if you watch the waveform image here on Freesound while playing the excerpts you will NOT get the proper effect. The big wind gusts sound immensely more powerful and even frightening when you are NOT watching that, so you never know how much more the sound is going to increase, maybe to blow you and indeed the whole of Existence away :) Another listening tip if you have really good and wide stereo separation you will find that the wind sound is not simply a fluctuating roar (really rather boring), but a wonderful drama of ogreish 'wind monsters' chasing around here, there, and who knows where The threedimensional movement really makes an exciting drama of it all. This recording is of the Music of the Spheres Gypsy Soprano chimes. Without being combined with chimes tuned to other scales, the weird, emotionally intense quality of these chimes is able to sing out. This is a 5minute excerpt from the 31+ minutes full recording. http://www.broadhorizonnature.co.uk/recordingnrtopofwoodsabovefinglebridge.jpgThis photo shows my recording studio for 30th January 2013 almost at the top of the north side of the Teign Gorge, and facing obliquely over the valley, so that the great gusts of wind come roaring from the right and then go careering round over and down into the valley. The sets of chimes visible are the Gypsy Mezzo (left, and further away) and the Pluto (right).Note that the former being further away is not a bit of carelessness of mine, but a quite deliberate placement. I learnt from my first Gypsy Chimes recordings (back in November) that for best results they need to be placed further from the microphones than the Woodstock or bamboo chimes (at least, those that I have), on account of their more penetrating and potentially overpowering tone.http://www.broadhorizonnature.co.uk/trackhighabovefinglebridge.jpgLooking the other way from near the top of the track ascending from Fingle Bridge, which latter is hidden way down below. The recorder is about 25 metres behind me, just a little down the slope from this track. Recording made with a Sony PCMM10 on a Velbon minitripod, using the builtin microphones covered with a Rode Dead Kitten. http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 5th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively but I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction. Therefore, copies of recordings made in that period, including this one, which I supply on CDs or as licensed copies for commercial use, will have better sound quality and will sound clearer, more 'present', and with more precision of detail than what you hear from here. Please note that only very good speakers / headphones with a very extended and flat frequency response will do this recording real justice, and, as already noted, lesser speakers / headphones would make this sound quite fatiguing to listen to. Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another. Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：On 6th February 2013 I took out with me to the Teign Gorge, Drewsteignton, Devon, UK, a set of Woodstock Gregorian Tenor Chimes and two sets of Music of the Spheres Gypsy wind chimes the Soprano and Mezzo sizes, the sounds of which latter two mesh together beautifully. I was actually expecting a gale as I experienced for my recordings a week before, especially as there had been a gale overnight, but in fact the wind had eased down to a mere 'strong' (force 6 on the Beaufort scale), but it was colder than last time, so this was bound to be more challenging for me (I have Raynaud's disease, the cold extremities problem). Because of my expectations of a gale, I made for the same spot as last week near the top of the track ascending through the valleyside woods to join the Hunters' Path just as it emerges from the woods at the top. This proved still to get a very useful variation of wind strength to work the chimes, also with very nice sound as the wind gusts came through the trees but generally nothing spectacularly dramatic as I had last week. I did actually try combining Gregorian and Gypsy Chimes but these turned out to be incompatible, together producing a chaotic discordant gibberish, and I deleted the two recordings I made with that combination but fortunately I then went on to make the best of what I had taken out this day, and the resultant recordings have turned out quite beautifully, with a nice background sound from the River Teign far below, and the periodic larger gusts of wind coming through the trees having a lovely detail of sound and helping to give the soundscape a particularly threedimensional quality. This recording is of the Music of the Spheres Gypsy Soprano and Mezzo chimes. As remarked for my November recordings of this combination, at a distance these chimes sound remarkably like some haunting ghostly organ playing. I deliberately placed them at a reasonable distance from the recorder to get a bit more of that effect. One curious thing is that the Gypsy chimes (only) at this particular spot on this particular day produced an odd nonmusical tapping sound at each strike of the tubes on the central 'striker' something very apparent in this recording. I had not heard that sound in my previous recordings of these chimes, including those made with the Gypsy Chimes hanging on the very same branches last week really quite weird, and I'm baffled as to the cause of that. Both the Gypsy sets were doing that, but not the Gregorian chimes, and also my afternoon recording of the Gypsy Soprano chimes down below, by the River Teign, did not produce that tapping sound at all. Just maybe I wonder if this was a temperature thing, and the air temperature of about 4 degrees C in this high position was just low enough to change the physical properties of those chimes' strikers to cause that tapping sound. This is a 5minute excerpt from the 32+ minutes full recording. http://www.broadhorizonnature.co.uk/recordingnrtopofwoodsabovefinglebridge.jpgThis photo shows my recording studio for this occasion, but taken the previous week during my gale sequence almost at the top of the north side of the Teign Gorge, and facing obliquely over the valley, so that the gusts of wind come from the right and then some come swirling around here before they continue across or down into the valley as they will. The sets of chimes visible are the Gypsy Mezzo (left, and further away) and the Pluto (right, not used this time).Note that the former being further away is not a bit of carelessness of mine, but a quite deliberate placement. I learnt from my first Gypsy Chimes recordings (back in November) that for best results they need to be placed further from the microphones than the Woodstock or bamboo chimes (at least, those that I have), on account of their more penetrating and potentially overpowering tone.http://www.broadhorizonnature.co.uk/trackhighabovefinglebridge.jpgLooking the other way from near the top of the track ascending from Fingle Bridge, which latter is hidden way down below. The recorder is about 15 metres behind me, just a little down the slope from this track. Recording made with a Sony PCMM10 on a Velbon minitripod, using the builtin microphones covered with a Rode Dead Kitten windshield. I have used Audacity to apply a custom EQ profile to correct for the high frequency muffling caused by the windshield. Please note that only very good speakers / headphones with a very extended and flat frequency response will do this recording real justice. Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another.(Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore.) Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：2013年2月6日，我带着一套Woodstock Gregorian Tenor Chimes和两套Music of the Spheres Gypsy wind chimes来到了英国德文郡德鲁斯泰格顿的Teign Gorge。我的目标是在芬格桥上面的树林顶上再录制一整天事实上我确实在那里坚持了整整一个上午但后来我不得不收拾东西逃走，因为气温只有4度左右，还有一些风寒因素，我的手和脚因为太过寒冷而给我造成了压力