描述：这段录音是在2012年12月18日，我在英国康沃尔郡Portreath到Perranporth的海岸小道上徒步旅行时的午休时间录制的。这是一个非常标准的沙滩上的冲浪声，但与我以前的录音不同，因为我在悬崖顶上，所以高频的声音被削弱了，因为它们不像低频那样传播得那么远（因此雷电的声音缺乏高频率成分，除非它在附近被击中）。因此，这次的声音更像是咆哮和雷鸣，而不是嘶嘶声尽管它自然不是那么响亮，因为我离大海很远。 在这段录音中，有一架轻型飞机飞过，总的来说，我选择不剪掉这一段，因为它给其他相当不稳定的声音提供了一种平衡的 "标点"，而且这种侵入并不强烈，非常短暂。 在我的自然声景录音中，像往常一样，有大量的海或风的成分，只有真正好的高保真扬声器或耳机，具有扩展和合理的平坦的低音响应，才能使这个录音真正公正，因为在声音中有相当大的非常低的频率成分，这在普通的扬声器系统中往往是令人不愉快的繁荣。请注意，这个录音的音量水平已经被仔细调整过了，到目前为止，我所有的录音都是为了听一个真实的古典音乐（一个大型但并不特别的交响乐团）的音量设置而进行的。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。 用索尼PCMM10在Hama迷你三脚架上进行的录音，用Rycote Mini Windjammer覆盖的内置话筒。我在WavePad中使用了一个图形均衡器配置文件来补偿Windjammer造成的轻微消音。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。) 请记得给这个录音评分！ http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：春天的鸟鸣，自然保护区，Hampton Lode Worcestershire UK.

描述：用索尼PCMM10录音（使用Rycote Windjammer的内部麦克风），在英国康沃尔郡博卡斯尔的Penally山上，几乎在通往崎岖不平的Penally Point的小山丘上，直奔前方。录音机指向Penally Point的向海一侧，但也从其向陆一侧和Boscastle港口另一侧稍远的悬崖上捕捉到一些海噪声。 这一天（2012年6月17日），大西洋的海浪相当小，声音很好听，但不壮观，风有点干扰。 有一次，可以听到两个兴奋的孩子的声音这是那种会让任何不是完全沉闷的'羊'的人兴奋的地方！

描述：2012年6月17日，用索尼PCMM10的内部麦克风和Rycote Mini Windjammer进行录音。尽管这个地方的微风很轻，但迷你防风罩并没有完全消除风的噪音

描述：这段录音拍摄于2012年6月17日，使用索尼PCMM10和Rycote Mini Windjammer的内部话筒，在离英国康沃尔郡Boscastle不远的Beeny Cliff上一个相当暴露的位置。这是在一个点上，原来非常暴露的一段海岸线已经被放弃，建立了一个不太暴露的改道，但在这里，我到了那个暴露的地方，海面上的悬崖被切开了，

描述：英国伯明翰镇中心的一个小贩。我用Tascam DR100简单地录制了这个节目，麦克风设置为"uni模式"，并设置了120Hz的截断频率

描述：英国伯明翰镇中心的一个小贩。我用Tascam DR100简单地录制了这个节目，麦克风设置为"uni模式"，并设置了120Hz的截断频率

描述：英国伯明翰镇中心的一个小贩。我用Tascam DR100简单地录制了这个节目，麦克风设置为"uni模式"，并设置了120Hz的截断频率

描述：多数民众赞成我称之为真正的铃声！我在1977年使用Uher报告卷轴式磁带录音机和Uher M518麦克风录制了这个。所有这些都在Dorking附近的公共电话亭中。 好吧，我试图将其作为wave文件上传....原因不明：没有机会。 :(

描述：2012年6月20日，用索尼PCMM10和Rycote Mini Windjammer在英国康沃尔郡Boscastle港Penally Point的顶端（也是山顶）进行录音，指向Boscastle港对岸的悬崖。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪在这里来的时候要大得多，因此听起来要壮观得多；在这个场合，它非常小，而且很有风度。 如果你用非常好的扬声器听，你可能会隐约听到重复的重击声和'whoomphs'，因为海浪打在这座微型山的另一侧（即向海）的悬崖上的各种大裂缝和小洞穴的末端。 海浪太小，潮水太低，众所周知的吹气孔不可能有什么动作；否则就会给声音画面带来很大的影响。 这段录音相当安静，我让它保持这种状态，因为这正是当时的情况。不仅海浪小而平缓，而且我在相当高的位置。在录音的后期，可以听到一架非常高的喷气式飞机，因此很遥远。 海鸥或多或少都是鲱鱼鸥。 请注意，这段录音的音量是经过仔细调整的，到目前为止，我所有的录音都是要用一个音量设置来听的，这个音量设置可以为古典音乐（一个大型但不特别的交响乐团）的播放提供一个真实的水平。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：2012年6月20日，用索尼PCMM10和Rycote Mini Windjammer在英国康沃尔郡Boscastle港的Penally Point向陆一侧进行了录音。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪来到这里时要大得多，因此听起来要壮观得多；在这个场合，它非常小，而且很有风度。 如果你用非常好的扬声器听，你可能会隐约听到重复的重击声和'whoomphs'，因为海浪打在这座微型山的另一侧（即向海）的悬崖上的各种大裂缝和小洞穴的尽头。 海浪太小，潮水太低，众所周知的吹气孔不可能有什么动作；否则就会给声音画面带来很大的影响。 这段录音相当安静，我让它保持这种状态，因为这正是当时的情况。不仅海浪小而平缓，而且我在相当高的位置。 在录音接近尾声时，一架接近的小型飞机的声音开始闯入。 海鸥几乎都是鲱鱼鸥，但在这次录音中，我确实听到了两声小黑背鸥的短暂叫声。 你还可以听到奇怪的微弱的乌鸦叫声。 请注意，这段录音的音量是经过仔细调整的，到目前为止，我所有的录音都是要用一个音量设置来听的，这个音量设置可以为古典音乐（一个大型但不特别的交响乐团）的播放提供一个真实的水平。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：2012年6月17日的录音，从我当天录制的另一个Cambeak的地方开始（158756）。Cambeak是一个非常有趣的崎岖岬角，在英国康沃尔郡Crackington Haven的南侧向西延伸，录音是在索尼PCMM10上进行的，使用内部麦克风和Rycote Mini Windjammer.

描述：Recording made on 21st October 2012 with a Sony PCMM10 on a Hama minitripod, using the builtin microphones. http://www.broadhorizonnature.co.uk/shagrockperranporth500x375.jpg This photo of Shag Rock was taken while this recording was in progress.N.B. The sea and Shag Rock are bigger and further below than they look, because this is a longfocus shot. This recording was made on the very steep and rather precarious grassy slope below the rather exposed coast path a bit southwest of Perranporth, Cornwall, UK, which contours the main cliff slope from near Cligga Head to Droskyn Point, at which latter point you are in Perranporth proper. I had walked on the coast path from Portreath, and had been looking forward to this spot because on certain previous walks I had heard the surf really thundering here. Actually on this occasion, the sound was a bit too chaotic for me to think of it quite as 'thundering', but there was a lot of very deep booming and rumbling, with periodic heavy thuds, as the surf had vigorous and indeed dramatic arguments with the cliffs here that were in its way. I placed the recorder on a very low drystone wall running down the slope, with top completely covered with vegetation, and the minor headland with Shag Rock connected to its tip was ahead and somewhat to the right. This grassy slope ends just a little further below, in sheer and indeed more or less undercut cliff, so that the big waves make big rumbles and thumps as they hit the cliff (invisible to me on the steep slope above). However, that is not all that is happening, because quite large rebound waves keep interacting with new incoming ones, with the result that we hear sudden almost eruptive disturbances of the incoming waves. I'd wanted to make a full halfhour recording of this, but it was getting towards sundown and I was concerned that my return hitchhike from Perranporth to Exeter be not much delayed, so I intended to record for only ten minutes. However, as the sound was so thrilling there, I compromised by extending that to 16 minutes (though still rather regretting it not being a full half hour, and regretting so still more once listening to the recording back at home). Roughly halfway through the recording a light aeroplane passes over, which seemed annoying at the time, but actually in the recording it does give a little sense of perspective and so serves a reasonably positive function. Possibly because the recorder was very close to a vegetated surface, I found that the recording did not reproduce the very low frequencies at all strongly, and so, guided by the frequency spectrum graph in Voxengo's Span plugin, I used a straightline graphic EQ in WavePad to give a fair boost to the low bass, and uploaded the recording as 168105. Since then I experimented further, and this version replaces that one, with a more effective shaping of the bass boost, and also a small additional treble lift, the total effect adding considerably to the power and detail and sense of spaciousness. The recording now comes much nearer to what I actually heard. (Later note: Following further recordings at this location, I now think I was mistaken about that, and the EQ was unnecessary apart from that to correct for the Rycote Mini Windjammer, and thus I now view this recording as it now stands as significantly overtrebly because the recorder was not that close to the sea, and the amended bass, while sounding nice, has not really got the thundering 'welly' that has come out so well in my subsequent recordings there.) Please note that only very good speakers / headphones with a very extended bass response will do this recording real justice. Also, it may sound unpleasantly boomy on speakers that have any sort of boominess (like my computer speakers). Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another.(Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore.) Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：Recording made on 11th November 2012 with a Sony PCMM10 on a Hama minitripod, using the builtin microphones covered with a Rycote Mini Windjammer. I have used a graphic EQ profile in WavePad to compensate for the slight muffling of the sound caused by the Windjammer. http://www.broadhorizonnature.co.uk/shagrockperranporth500x375.jpg This photo of the Shag Rock headland was taken during my previous recording there.N.B. The sea and Shag Rock are bigger and further below than they look, because this is a longfocus shot. This recording was made on the very steep and rather precarious grassy slope below the rather exposed coast path a bit southwest of Perranporth, Cornwall, which contours the main cliff slope from near Cligga Head to Droskyn Point, at which latter point you are in Perranporth proper. It was made at exactly the same spot as http://www.freesound.org/people/Philip20Goddard/sounds/168716/, with the recorder pointing in the same direction. As in that recording, I placed the recorder on a very low drystone wall running down the slope, whose top was covered with vegetation, and the minor headland with Shag Rock connected at the headland's tip was ahead and somewhat to the right. This grassy slope ends just a little further below, in sheer and indeed more or less undercut cliff, so that the big waves are in a state of pandemonium as they hit the cliff (invisible to me on the steep slope above). However, the state of the sea is quite different from when I made that previous recording here. Then the sea was relatively smooth apart from a big Atlantic swell, which was tending to start breaking before meeting the cliffs. This time the swell itself was probably not quite so large, BUT the sea as a whole was much rougher, and the tide was higher, so that none of the waves were breaking before meeting the cliffs, apart from the odd transient local eruptive 'breakings' where a rebound wave interacted with an incoming one. One thing that mystified me was the absence of obvious deep booms and thumps from the undercut cliff immediately below me in this position because (a) they were quite a feature in the previous recording here and (b) before I arrived at this spot this time I had looked across the line of cliffs and had seen a real continuous mayhem occurring just there, with repeated violent eruptions of spray as the waves hit the cliff, and with distinct 'whoomphs' clearly audible from something like half a mile away (i.e. in addition to those coming from the Shag Rock ructions) but as it was undercut I wouldn't be able to see any of that once at that spot, but at least I should have been hearing those 'whoomphs', which, as I say, seemed to be lacking this time. However, the sea made up for that by giving a whole succesion of dramatic eruptions of spray, with heavy 'whoomphs', as it kept hitting Shag Rock and the attached cliff of that little headland. The plumes of spray regularly shot up to or higher than the top of the cliff there. Also, some of the 'whoomphs' are strangely extended. Each of those was accompanied by a violent jet of spray shooting up at a 45 degree angle back over the sea. I guess there might actually be a blowhole there responsible for that. It was a bit bold of me to be making this recording at all, for, at 4.30 in the afternoon in early to midNovember, the light was already fading, and by 5.0 the dusk would really be deepening (requiring care on the exposed and rather stony and uneven track) and, once I'd got to Perranporth I still would have to hitchhike (in the dark) back to Exeter. I cut out about 45 seconds of the recording, at about 2 minutes in, because of a loudly conversational couple of walkers passing by on the track above. I would not mind the odd quiet human noises, but this was too obtrusive. This recording actually has continuous very gentle wind noise in the microphones but most of the time it is impossible to tell how much of the gentle booming and rumbling is from the sea on the cliffs and how much from the wind. However, the frequent discrete heavy booms and rumbles are at least almost all not wind gusts but the sea yet again hitting the cliffs. Please note that only very good speakers / headphones with a very extended bass response will do this recording real justice. Also, it may sound unpleasantly boomy on speakers that have any sort of boominess (like my computer speakers). Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another.(Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore.) Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：http://www.broadhorizonnature.co.uk/shagrockperranporth500x375.jpg 这段录音是在2012年12月18日的黄昏时分，在康沃尔郡佩兰波思西南面的一个非常陡峭和相当不稳定的海岸线下面的草坡上进行的，这条海岸线从Cligga Head附近到Droskyn Point的主要悬崖斜坡，在后一点你就在佩兰波思本土。它是在与http://www.freesound.org/people/Philip20Goddard/sounds/168716/完全相同的地点制作的，记录器指向相同的方向，海况相似但也有细微的不同。