描述：2012年6月17日，用索尼PCMM10的内部麦克风和Rycote Mini Windjammer进行录音。尽管这个地方的微风很轻，但迷你防风罩并没有完全消除风的噪音

描述：这段录音拍摄于2012年6月17日，使用索尼PCMM10和Rycote Mini Windjammer的内部话筒，在离英国康沃尔郡Boscastle不远的Beeny Cliff上一个相当暴露的位置。这是在一个点上，原来非常暴露的一段海岸线已经被放弃，建立了一个不太暴露的改道，但在这里，我到了那个暴露的地方，海面上的悬崖被切开了，

描述：2012年6月20日，用索尼PCMM10和Rycote Mini Windjammer在英国康沃尔郡Boscastle港的Penally Point向陆一侧进行了录音。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪来到这里时要大得多，因此听起来要壮观得多；在这个场合，它非常小，而且很有风度。 如果你用非常好的扬声器听，你可能会隐约听到重复的重击声和'whoomphs'，因为海浪打在这座微型山的另一侧（即向海）的悬崖上的各种大裂缝和小洞穴的尽头。 海浪太小，潮水太低，众所周知的吹气孔不可能有什么动作；否则就会给声音画面带来很大的影响。 这段录音相当安静，我让它保持这种状态，因为这正是当时的情况。不仅海浪小而平缓，而且我在相当高的位置。 在录音接近尾声时，一架接近的小型飞机的声音开始闯入。 海鸥几乎都是鲱鱼鸥，但在这次录音中，我确实听到了两声小黑背鸥的短暂叫声。 你还可以听到奇怪的微弱的乌鸦叫声。 请注意，这段录音的音量是经过仔细调整的，到目前为止，我所有的录音都是要用一个音量设置来听的，这个音量设置可以为古典音乐（一个大型但不特别的交响乐团）的播放提供一个真实的水平。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：2012年6月20日，用索尼PCMM10和Rycote Mini Windjammer在Penally Hill（英国康沃尔郡Boscastle港）靠近Penally Point的向海一侧进行录音，海水直接冲向悬崖。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪在这里会更大，因此听起来更壮观；而在这个场合，海浪非常小。 即便如此，当海浪打在悬崖上的各种裂缝和小洞穴的末端时，你可以听到反复的重击声和'呜呜'声。 较重的声音主要来自于这个录音中左边的一个特定的小山洞，但在录音机下方和右边的某个地方，也有另一个这种砰砰声的来源（不那么夸张）。 如果你用好的扬声器或有扩展低频响应的耳机来听这段录音，你会在砰砰声和'whoomphs'中听到一些非常好的'地震'频点。我期待着最终能在这个地方录制大浪拍岸的声音。相比之下，这段录音听起来就像牧师的茶话会:) 请注意，这段录音的音量是经过仔细调整的，到目前为止，我所有的录音都是要用一个音量设置来听的，这个音量设置可以为古典音乐（一个大型但不特别的交响乐团）的播放提供一个真实的水平。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：2012年6月20日，用索尼PCMM10和Rycote Mini Windjammer在Penally Hill（英国康沃尔郡Boscastle港）靠近Penally Point的向海一侧进行录音，海水直接冲向悬崖。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪在这里会更大，因此听起来更壮观；而在这个场合，海浪非常小。 即便如此，当海浪打在悬崖上的各种裂缝和小洞穴的末端时，你可以听到反复的重击声和'呜呜'声。 较重的声音主要来自一个特殊的小洞穴，在这段录音中就在前面。 如果你用好的扬声器或具有扩展低频响应的耳机来听这段录音，你会在砰砰声和'whoomphs'中听到一些非常好的'地震'频率的声音. 请注意，这段录音的音量是经过仔细调整的，到目前为止，我所有的录音都是为了在播放古典音乐（大型但不特别的交响乐团）时，能有一个真实的音量设置来听的。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：我们在夏威夷旅行时记录了这个声音。你可以在这里观看关于夏威夷的旅行视频：https：//youtu.be/V9YfOn_NoxI你可以在你的项目中使用这个声音，无论它是商业的还是非商业的，但如果你可以在我的某个地方标记我的Instagram帐户，那将是很棒的。说明：https：//www.instagram.com/florianreichelt/ALL声音效果已经与H4N Pro一起录制：https：//amzn.to/2PACYyRL留言并告诉我您使用的是哪个项目 :)顺便说一句 你们有没有看过我最新的关于日本的旅游视频？如果不是你应该肯定看它：https：//youtu.be/QcGmpWx4DXQ 城市，人民和整体文化都非常出色，它们也激励着您旅行。 素材库不是死的！通过BlackBox赚取2000美元/月！现在注册：http：//bit.ly/StockBlackBox

描述：和平和温和，是的（请不要把音量调大！），但平凡，不有一个不寻常的、相当令人不安的方面！

描述：2012年6月17日的录音，从我当天录制的另一个Cambeak的地方开始（158756）。Cambeak是一个非常有趣的崎岖岬角，在英国康沃尔郡Crackington Haven的南侧向西延伸，录音是在索尼PCMM10上进行的，使用内部麦克风和Rycote Mini Windjammer.

描述：这段录音是2013年2月16日我在英国康沃尔郡Portreath到Perranporth的海岸线上徒步旅行时的午休时间录制的与我2012年11月19日在这里录制的地点完全相同。我是在Chapel Porth西南侧的峭壁上向海一侧的崖顶上记录的。从表面上看，这是一个非常标准的沙滩上的冲浪声，但尽管如此，它与11月19日的录音明显不同。当时潮水退得很厉害，因此，尽管海浪相当大，但对我来说，并不能很好地分辨出单个海浪的声音，因为这种声音在很大程度上被淹没在每个破损的海浪所发出的普遍嘶嘶声中。 然而，这一次，尽管海浪实际上只有前一次的一半大小，但潮水相当好，所以破浪发生得更近，因此，我听到了更清晰的个别破浪声的区别。因此，我惊讶地发现，这个相对不引人注目的海浪实际上为我提供了一个可爱的录音，在你的听觉系统中，如果有良好的立体声分离，你将能够在一个令人印象深刻的海洋声音全景中听到个别的破浪声几乎180度。因此，它实际上比这里的前一个录音更吸引人，尽管它的特殊 "戏剧 "是关于细节的错综复杂的相互作用，而不是任何形式的蛮力。 录音机的确切位置是在突出部的向海一侧，紧挨着一条相当暴露的狭窄小路，这条小路沿着非常陡峭的悬崖斜坡延伸，为下降到Chapel Porth提供了一条冒险感觉的非官方路线。在这个特殊的日子里，它也很方便，因为它可以避开强劲的南风尽管在这个场合，有些微风 "作弊"，沿着这里吹，大多是蒲福等级的3到4级（"轻度或中度"），在这个录音中来自左边尽管我不能肯定地识别任何麦克风的风声。 在这段录音中，有两架明显的飞机飞过，但我剪掉了受第一架飞机影响的2分钟左右的时间，因为它太响了，很有干扰性，但我留下了另一架飞机，因为它为连续的海声提供了一种平衡的 "标点"，而且这种干扰并不强烈，非常简短。我注意到的其他 "附带 "声音是冲浪者定期发出的非常遥远的声音，他们在Chapel Porth的海面上相互呼唤。他们都是在声音舞台的右侧。根据你的听觉条件/设备，你可能听到也可能听不到。 像往常一样，在我的自然声景录音中，如果有明显的海或风的成分，只有真正好的高保真扬声器或耳机，并具有扩展和合理的平坦的低音响应，才能使这个录音真正公正，因为在声音中有一个相当大的 "白噪声 "元素，如果没有这样准确的再现，就听起来不对。还请注意，这个录音的音量水平已经被仔细调整过了，到目前为止，我所有的录音都是为了听一个真实的古典音乐（一个大型但并不特别的交响乐团）的音量设置而进行的。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。 用索尼PCMM10在Hama迷你三脚架上进行的录音，使用内置的麦克风，用Rode Dead Kitten防风罩覆盖。我在Audacity中使用了一个图形EQ配置文件来补偿挡风玻璃造成的轻微消音。 http://www.broadhorizonnature.co.uk/surfrecordingchapelporth_130216400.jpg这张照片是在这个录音运行时拍摄的。

描述：2012年6月20日，用索尼PCMM10和Rycote Mini Windjammer在英国康沃尔郡Boscastle港Penally Point的顶端（也是山顶）进行录音，指向Boscastle港对岸的悬崖。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪在这里来的时候要大得多，因此听起来要壮观得多；在这个场合，它非常小，而且很有风度。 如果你用非常好的扬声器听，你可能会隐约听到重复的重击声和'whoomphs'，因为海浪打在这座微型山的另一侧（即向海）的悬崖上的各种大裂缝和小洞穴的末端。 海浪太小，潮水太低，众所周知的吹气孔不可能有什么动作；否则就会给声音画面带来很大的影响。 这段录音相当安静，我让它保持这种状态，因为这正是当时的情况。不仅海浪小而平缓，而且我在相当高的位置。在录音的后期，可以听到一架非常高的喷气式飞机，因此很遥远。 海鸥或多或少都是鲱鱼鸥。 请注意，这段录音的音量是经过仔细调整的，到目前为止，我所有的录音都是要用一个音量设置来听的，这个音量设置可以为古典音乐（一个大型但不特别的交响乐团）的播放提供一个真实的水平。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：2012年10月21日，用Hama迷你三脚架上的索尼PCMM10，用Rycote Mini Windjammer覆盖的内置麦克风进行录音。我在WavePad中使用了一个图形EQ配置文件，以补偿Windjammer造成的轻微消音。 在这一天，有大量的海浪袭来，撞击着悬崖，我在北康沃尔郡的海岸线上从Portreath到Perranporth进行了徒步旅行，希望能录制到强大的大西洋海浪撞击悬崖的典型声音，包括各种深沉的砰砰声和呜呜声，包括非常低的 "地震 "频率。然而，在这次步行中，在波兹托万西南侧的悬崖上，我感到很失望，因为我几乎没有听到那些真正深沉的声音，从我的悬崖顶上看，所有的冲浪声都听起来很有风度，没有任何戏剧性。但是，为了避开微风，使我的午休时间更舒适，在那个突出的地方，我开始沿着一条狭窄的、可怕的、暴露的小路走，这条小路沿着几乎陡峭的崖壁斜着向卢辛顿湾的海滩延伸；这条小路是由一些不紧张的钓鱼者和冲浪者使用的。我坐在轨道的边缘吃午饭，身后是悬崖峭壁，我在附近安装了录音机，就在轨道边上，位置相当不稳定。 http://www.broadhorizonnature.co.uk/exposedclifffacetrackporthtowan_20121112_02.jpg 在这种特殊情况下，悬崖峭壁作为反射器和共振器，对破浪声中的极低频率起作用，所以不断有极深的隆隆声和轻柔的轰鸣声。我和录音师正对着海湾，所以海浪一般都是在右边破浪而来，每个破浪的嘶嘶声都在这个海湾的看台中央扩散开来。这段录音是海滩上的 "直线 "冲浪，所以它并不是我特别追求的主要声音类型

描述：Recording made on 2nd February 2013, on the northeast side of Boscastle Harbour, at a rather precarious position somewhat down on the cliff slabs above the blowhole low down on the inland side of the hulk of Penally Point, but slightly higher and less precarious than for my 9th January recording notionally at the same spot, because I was a bit concerned that the breeze this time might go blowing blowhole spray back up and over the recorder. The blowhole is actually an early stage of the breakingthrough of a sea cave on the seaward side of the hulk of Penally Point, and waves hitting the end of the cave there cause pressure waves in the air and cause the violent ejection of often quite long jets of spray with impressive heavy whoomphs. Those jets of spray are generally roughly horizontal or very slightly inclined upwards, and you can hear the ejected water splashing down following many of the whoomphs. http://www.broadhorizonnature.co.uk/penallysideboscastleharbourlowerblowhole.jpgThe blowhole in operation at the foot of the cliff.http://www.broadhorizonnature.co.uk/recordingboscastleblowholefromjustabove.jpgThe recorder in operation for the 9th January recording notionally at this spot. This time I placed it a little higher and more out of the way of any spray blowing back, and also a bit less risky for me to get to. The tide was going out during this recording, and indeed the blowhole started its giant superwet farts bang on cue, just two hours before low tide, just as I was about to set up this recording. However, the 'performance' was no better than for my January recording session here, and it didn't last so long i.e. as anything really impressive. This recording was made with a Sony PCMM10 on a Hama minitripod, using the builtin microphones covered with a Rode Dead Kitten. The wind was generally a strong northwesterly, but this situation was relatively sheltered, with breeze fluctuation between 'light' and 'moderate' (force 2 to 4 on the Beaufort scale), coming mainly headon for the recorder, though varying a lot in direction as this was not the main direct wind anyway but the odd little eddies that were spinning off it. Actually, this recording should have been about 50 minutes' duration, being made while the other recording (just a little upstream) was running and I ate my packed lunch. I could hardly see the recorder from my lunch position (about halfway between the two recorders), and, unbeknown to me, something invisible to me knocked the recorderonminitripod over onto its side. When I recovered it I found that, mystifyingly it was switched off. Back at home I found that it had about 21 minutes' worth of recording, which cut off abruptly with no indication of any disturbance. At first I was very mystified as to what had happened, as I had seen no people nor dogs nor seabirds go anywhere near the recorder, and the wind around there wasn't anything close to what would blow the recorder over, and I would expect to hear sudden microphone wind noise just prior to the cutoff, and there was none. I eventually worked out a possible scenario, as follows: The recorder was knocked over by a sudden 'freak' local concentration of pressure waves from the blowhole (i.e. added to by reflections from different parts of the cliff crags there). The modest sideways impact of the recorder on the rock was sufficient to transiently interrupt the electrical contact with the batteries, resulting in a sudden shutdown. The fall appeared not to have been recorded, but actually would have been recorded into the device's working memory buffer, but the recorder would not have had sufficient time to commit that to the memory card before the unexpected shutdown.Higher quality version of this recording availableThe recordings that I upload to Freesound are of standard CD quality (44.1KHz, 16bit). As from my recordings made on 9th January 2013, all my recordings are additionally available in 48KHz 24bit, FLAC format. If interested, please see my Broad Horizon Natural Soundscapes page for details.http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 5th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively but I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction. Therefore, copies of recordings made in that period, including this one, which I supply on CDs or as licensed copies for commercial use, will have better sound quality and will sound clearer, more 'present', and with more precision of detail than what you hear from here. Please note that only very good speakers / headphones with a very extended bass response will do this recording real justice. Also, it may sound unpleasantly boomy on speakers that have any sort of boominess (like my computer speakers). Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another.(Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore.) Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：The original version of this recording was highlighted in the Freesound blog for the quality of its description ("The new gold standard for Freesound descriptions" Wow http://www.broadhorizonnature.co.uk/meicon_confused.gif). While of course I felt duly sortof honoured to get such an accolade, I also felt a little wryly miffed that that particular recording had been picked upon for that honour, for, as I noted in its original description, it was more of curiosity value rather than being a good recording of Boscastle Harbour / blowhole, and so actually it was rather a bizarre choice for getting featured at all That recording then got several 5star ratings, whereas my three other, really good, recordings of the Boscastle blowhole had only one 4star rating between them So, finally I've chosen to reupload the recording as it now exists on my system, with two carefully shaped EQ adjustments, both of which I now apply routinely to all my recordings: one to correct for the slight attenuation of high frequencies caused by the Rode Dead Kitten windshield, and the other, to correct for an audible broad 'hump' in the lower bass frequencies an issue that appears to be intrinsic to the Sony PCMM10, no matter what clean bill of health any reviews may have given that model. The latter adjustment has had a particularly dramatic effect on this recording, because it was so replete with just those frequencies that tally with my recorder's bass hump. All the peaks were thus greatly reduced in size, and that enabled me at last to raise the overall level to get me a realistic level for the sea sound. To my ears, listened to through my hifi speakers, the recording is now really beautiful and lifelike (albeit, naturally, sounding a bit weird because of the recorder sitting in almost a minicave), and against this version the original, which got all those 5star ratings, sounds quite horrible http://www.broadhorizonnature.co.uk/meicon_lol.gif (I'll leave others this time to make some delicious faecal comparisons) I am not (at least for some time) deleting the original here, because the comparison is so educational. On my Freesound home page you can see the graphic EQ curve that I've used to improve this recording so much. Here follow the general notes (i.e., that are still applicable here) belonging to the original version with the odd relevant amendments. Recording made on 2nd February 2013, on the northeast side of Boscastle Harbour, in a decidedly unusual position somewhat below the main path along there, overlooking the stone jetty on that side of the harbour and pointing obliquely across the mouth of the harbour though my saying that actually wouldn't mean very much to anyone who doesn't know the funny shape of the harbour, which bends round to the left and then opens to the right (seaward). The blowhole is at the waterline when the tide is lowtomiddling, and is a bit right of centre in this soundscape. It is actually an early stage of the breakingthrough of a sea cave on the seaward side of the hulk of Penally Point, and waves hitting the end of the cave there cause shockwaves in the air and cause the violent ejection of often quite long jets of spray with impressive heavy whoomphs. Those jets of spray are generally roughly horizontal or very slightly inclined upwards, and you can hear the ejected water splashing down following many of the whoomphs. I had intended to place the recorder in exactly the same precarious position on a protruding ledge, where I placed it for the equivalent 9th January recording, but as I came round the side of that crag I thought the wind was a bit on the strong side there, and also I was looking rather nervously at the clouds, which had lightly showered on me several times during the morning and were looking as though they might fairly imminently do so again. I was in fact about to give up the idea of setting up this recording and just make do with the one right above the blowhole, when I noticed right beside me a small overhung recess in the crag, probably about 60 to 70cm high and not much wider, and I noticed that as I stuck my ear in there I could hear a whole lot of booming from the sea that I was not otherwise hearing. So, for the hell of it I placed the recorder in there. That has predictably resulted in a really weird recording, which not only has a distinct boomy element (though much less so in this adjusted version), but also has a narrow, sort of 'tunnelvision' main stereo image (though actually apparently quite a bit wider in this adjusted version than in the original), apart from the thumps and booms, which are more omnidirectional. This recording, therefore in normal terms could be viewed as a poor one, but I present it here as a GREAT recording of the sound of Boscastle Harbour and blowhole as could be heard by a mouse or small bird in a little recess in a crag http://www.broadhorizonnature.co.uk/meicon_wink.gif It is also really quite beautiful in its own way, and I may well even repeat this such time as I'm there with a higher sea making the blowhole more exciting.http://www.broadhorizonnature.co.uk/penallysideboscastleharbourlowerblowhole.jpgThe blowhole in operation at the foot of the cliff.This recording was made on this side of the harbour,but a fair bit further removed, in the inland direction. This recording was made with a Sony PCMM10 on a Hama minitripod, using the builtin microphones covered with a Rode Deadkitten. The breeze reaching the recorder appeared to be a straighton force 3 on the Beaufort scale (upper end of 'light'). Higher quality version of this recording availableThe recordings that I upload to Freesound are of standard CD quality (44.1KHz, 16bit). As from my recordings made on 9th January 2013, all my recordings are additionally available in 48KHz 24bit, FLAC format. If interested, please see my Broad Horizon Natural Soundscapes page for details. (Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore, where you can also find another CD of the Boscastle blowhole.) Please note that only very good speakers / headphones with a very extended bass response will do this recording real justice. Also, it may sound unpleasantly boomy on speakers that have any sort of boominess (like my computer speakers). Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another. Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：2012年9月8日，用Hama迷你三脚架上的索尼PCMM10，用Rycote Mini Windjammer覆盖的内置麦克风进行录音。我在WavePad中使用了一个图形均衡器配置文件来补偿Windjammer造成的轻微消音。 http://www.broadhorizonnature.co.uk/ladies'_window_20120908500px.jpg 这段录音是我在Boscastle附近的北康沃尔海岸的Ladies' Window（一个相当壮观的天然拱门）边上的相当高的悬崖顶上吃早饭时录制的。在这段录音的早期，一艘小汽艇（我想是与捕鱼有关的）驶来，并在周围打转，最后驶离，后来又有一艘快艇驶来，然后在周围打转（也许是旅游，也许是与捕鱼有关），最后在录音结束前驶离但另一艘刚刚驶近，

描述：这段录音是在2012年12月18日，我在英国康沃尔郡Portreath到Perranporth的海岸小道上徒步旅行时的午休时间录制的。这是一个非常标准的沙滩上的冲浪声，但与我以前的录音不同，因为我在悬崖顶上，所以高频的声音被削弱了，因为它们不像低频那样传播得那么远（因此雷电的声音缺乏高频率成分，除非它在附近被击中）。因此，这次的声音更像是咆哮和雷鸣，而不是嘶嘶声尽管它自然不是那么响亮，因为我离大海很远。 在这段录音中，有一架轻型飞机飞过，总的来说，我选择不剪掉这一段，因为它给其他相当不稳定的声音提供了一种平衡的 "标点"，而且这种侵入并不强烈，非常短暂。 在我的自然声景录音中，像往常一样，有大量的海或风的成分，只有真正好的高保真扬声器或耳机，具有扩展和合理的平坦的低音响应，才能使这个录音真正公正，因为在声音中有相当大的非常低的频率成分，这在普通的扬声器系统中往往是令人不愉快的繁荣。请注意，这个录音的音量水平已经被仔细调整过了，到目前为止，我所有的录音都是为了听一个真实的古典音乐（一个大型但并不特别的交响乐团）的音量设置而进行的。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。 用索尼PCMM10在Hama迷你三脚架上进行的录音，用Rycote Mini Windjammer覆盖的内置话筒。我在WavePad中使用了一个图形均衡器配置文件来补偿Windjammer造成的轻微消音。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。) 请记得给这个录音评分！ http://www.broadhorizonnature.co.uk/meicon_wink.gif