Loading...
| 来源： | Freesound 前往原页面 查看译文 |
| 作者： | lovesbody |
| 许可： | CC-BY 保留署名许可协议 |
| 描述： | 'Listen for the smallest differences possible to perceive.' Pauline Oliveros' dictum is a process of undisciplining the ear. To decolonize the ear, as it were. expand the category of what constitutes 'music' beyond the sphere of the nominally 'musical.' politicize the ear and the field the ear resides in, situate listening as an historical achievement, think the 'field' of 'field recording' as a hierarchically structured space of domination and exploitation. and yet. and yet, here, we can here the openings to other possible worlds. electronic music is speculative acoustics: reroute narratives that bind music to one particular harmonic and melodic order outside and beyond itself. Tiny Ass Pebbles. There is a small field of extremely small pebbles behind the stage in the Porter Quad at UCSC. This recording was made by playing with this field. It almost sounds granular. Tascam dr100, omnidirectional mode. One sound taken from the 'Microblocks, vol.1' percussive found sound samplepack. The samplepack features 135 unique field recordings culled from the ordinary soundscapes of Santa Cruz, CA. Find and download (for free) the rest of the sample pack here: https://fieldrecordingworkinggroup.bandcamp.com/releases The sample pack comes with an accompanying essay describing the method, politics and historical context of the samplepack. |
| 标签： | sampling fieldrecording drumkits urban ambience |
| 音频格式 | aiff |
| 声音时长 | 00:02 |
| 文件大小 | 779.6 KB |
| 比特率 | 2148 kbps |
| 采样率 | 44100 Hz |
| 位深度 | 24 bit |
| 声道 | 立体声 |