A strong gusting wind whistles through the station. Some wind chimes are faintly heard as a Class 170 Turbostar arrives with an evening passenger service bound for Norwich. A couple of passengers alight and trudge wearily homewards as the train accelerates away into the fens.
描述：On 30th January 2013 I took out with me a set of Woodstock Chimes of Pluto and two sets of Music of the Spheres Gypsy wind chimes the Soprano and Mezzo sizes, the sounds of which latter two mesh together beautifully. I was aiming for the same recording location as I used for my previous wind chimes recordings in November 2012 but this time a very strong wind was blowing over the more exposed parts, and, on the Hunters' Path from Drewsteignton (Devon, UK), high up on the side of the socalled Teign Gorge above Fingle Bridge, as I was coming out of the woods that clothe the steep valley slopes I was suddenly blasted by a wind of about gale force (force 8 on the Beaufort scale), and realized that my previous recording locations here would most likely be too windy this time. So, I withdrew very slightly back into the top of the woods, descending slightly to just below the top part of the narrow track that ascends steeply from Fingle Bridge to join the Hunters' Path, and found a suitable group of low tree branches that were sufficiently sheltered to be getting a very nice range of wind strength, from very little indeed up to 'fresh' (force 5 on the Beaufort scale). Thus today was an opportunity to record a gale in the woods, with wind chimes intermingled in the wind sound and indeed quite often buried in it as the most powerful gusts came. The results turned out to be interesting and very much in accordance with what I had been hankering after for as long as I'd been thinking of recording wind chimes. It is important, therefore, to enable yourself to perceive this particular day's recordings NOT as 'failed' or otherwise bad chimes recordings, but as extremely successful galeinthewoods recordings complete with wind chimes. As well as the wind commotion, actually the River Teign far below was making its own quieter commotion, for it was particularly full after a lot of heavy rain, but during my whole 5+ hours' recording session I could never quite differentiate between the rushing sound of the Teign and the wind. One thing you are bound to notice is that the degree of activity of the chimes does not tally all that much with the degree of roaring of the wind in the trees. This is because of my relatively sheltered position, so the big and powerful eddies in the flow of the air as it comes over the hill into the valley go careering through the tree branches above and around me, but the gusts that come to me and the recorder and chimes are almost all NOT those directly but smaller subsidiary eddies that come spinning off the big ones. It is inevitable that the wind commotion will make particularly fatiguing listening, especially to the fulllength recordings, when played through anything other than really good speakers / headphones. Please note that in the fulllength recordings made on this day, ALL of them have some awesomely powerful and loud wind gusts that at times virtually drown out the chimes, so any of the excerpts here seeming louder or quieter than others is in fact misleading, as all the full length recordings have very loud and also almost quiet (albeit far from silent) moments. Please note also, that if you watch the waveform image here on Freesound while playing the excerpts you will NOT get the proper effect. The big wind gusts sound immensely more powerful and even frightening when you are NOT watching that, so you never know how much more the sound is going to increase, maybe to blow you and indeed the whole of Existence away :) Another listening tip if you have really good and wide stereo separation you will find that the wind sound is not simply a fluctuating roar (really rather boring), but a wonderful drama of ogreish 'wind monsters' chasing around here, there, and who knows where The threedimensional movement really makes an exciting drama of it all. This recording is of the Woodstock Chimes of Pluto. Without being combined with chimes tuned to other scales, the radiant, 'happy' quality of the Pluto chimes shines through. This is a 5minute excerpt from the 34 minutes full recording. http://www.broadhorizonnature.co.uk/recordingnrtopofwoodsabovefinglebridge.jpgThis photo shows my recording studio for 30th January 2013 almost at the top of the north side of the Teign Gorge, and facing obliquely over the valley, so that the great gusts of wind come roaring from the right and then go careering round over and down into the valley. The sets of chimes visible are the Gypsy Mezzo (left, and further away) and the Pluto (right).Note that the former being further away is not a bit of carelessness of mine, but a quite deliberate placement. I learnt from my first Gypsy Chimes recordings (back in November) that for best results those particular chimes need to be placed further from the microphones than the Woodstock or bamboo chimes (at least, those that I have), on account of their more penetrating and potentially overpowering tone.http://www.broadhorizonnature.co.uk/trackhighabovefinglebridge.jpgLooking the other way from near the top of the track ascending from Fingle Bridge, which latter is hidden way down below. The recorder is about 25 metres behind me, just a little down the slope from this track. Recording made with a Sony PCMM10 on a Velbon minitripod, using the builtin microphones covered with a Rode Dead Kitten. http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 5th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively but I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction. Therefore, copies of recordings made in that period, including this one, which I supply on CDs or as licensed copies for commercial use, will have better sound quality and will sound clearer, more 'present', and with more precision of detail than what you hear from here. Please note that only very good speakers / headphones with a very extended and flat frequency response will do this recording real justice, and, as already noted, lesser speakers / headphones would make this sound quite fatiguing to listen to. Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another.(Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore.) Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif
描述：On 30th January 2013 I took out with me a set of Woodstock Chimes of Pluto and two sets of Music of the Spheres Gypsy wind chimes the Soprano and Mezzo sizes, the sounds of which latter two mesh together beautifully. I was aiming for the same recording location as I used for my previous wind chimes recordings in November 2012 but this time a very strong wind was blowing over the more exposed parts, and, on the Hunters' Path from Drewsteignton (Devon, UK), high up on the side of the socalled Teign Gorge above Fingle Bridge, as I was coming out of the woods that clothe the steep valley slopes I was suddenly blasted by a wind of about gale force (force 8 on the Beaufort scale), and realized that my previous recording locations here would most likely be too windy this time. So, I withdrew very slightly back into the top of the woods, descending slightly to just below the top part of the narrow track that ascends steeply from Fingle Bridge to join the Hunters' Path, and found a suitable group of low tree branches that were sufficiently sheltered to be getting a very nice range of wind strength, from very little indeed up to 'fresh' (force 5 on the Beaufort scale). Thus today was an opportunity to record a gale in the woods, with wind chimes intermingled in the wind sound and indeed quite often buried in it as the most powerful gusts came. The results turned out to be interesting and very much in accordance with what I had been hankering after for as long as I'd been thinking of recording wind chimes. It is important, therefore, to enable yourself to perceive this particular day's recordings NOT as 'failed' or otherwise bad chimes recordings, but as extremely successful galeinthewoods recordings complete with wind chimes. As well as the wind commotion, actually the River Teign far below was making its own quieter commotion, for it was particularly full after a lot of heavy rain, but during my whole 5+ hours' recording session I could never quite differentiate between the rushing sound of the Teign and the wind. One thing you are bound to notice is that the degree of activity of the chimes does not tally all that much with the degree of roaring of the wind in the trees. This is because of my relatively sheltered position, so the big and powerful eddies in the flow of the air as it comes over the hill into the valley go careering through the tree branches above and around me, but the gusts that come to me and the recorder and chimes are almost all NOT those directly but smaller subsidiary eddies that come spinning off the big ones. It is inevitable that the wind commotion will make particularly fatiguing listening, especially to the fulllength recordings, when played through anything other than really good speakers / headphones. Please note that in the fulllength recordings made on this day, ALL of them have some awesomely powerful and loud wind gusts that at times virtually drown out the chimes, so any of the excerpts here seeming louder or quieter than others is in fact misleading, as all the full length recordings have very loud and also almost quiet (albeit far from silent) moments. Please note also, that if you watch the waveform image here on Freesound while playing the excerpts you will NOT get the proper effect. The big wind gusts sound immensely more powerful and even frightening when you are NOT watching that, so you never know how much more the sound is going to increase, maybe to blow you and indeed the whole of Existence away :) Another listening tip if you have really good and wide stereo separation you will find that the wind sound is not simply a fluctuating roar (really rather boring), but a wonderful drama of ogreish 'wind monsters' chasing around here, there, and who knows where The threedimensional movement really makes an exciting drama of it all. This recording is of the Music of the Spheres Gypsy Mezzo chimes. Without being combined with chimes tuned to other scales, the weird, emotionally intense quality of these chimes is able to sing out, with the distinctive doleful sound of the Gypsy chimes of this larger size. This is a 5minute excerpt from the 30+ minutes full recording. http://www.broadhorizonnature.co.uk/recordingnrtopofwoodsabovefinglebridge.jpgThis photo shows my recording studio for 30th January 2013 almost at the top of the north side of the Teign Gorge, and facing obliquely over the valley, so that the great gusts of wind come roaring from the right and then go careering round over and down into the valley. The sets of chimes visible are the Gypsy Mezzo (left, and further away) and the Pluto (right).Note that the former being further away is not a bit of carelessness of mine, but a quite deliberate placement. I learnt from my first Gypsy Chimes recordings (back in November) that for best results those particular chimes need to be placed further from the microphones than the Woodstock or bamboo chimes (at least, those that I have), on account of their more penetrating and potentially overpowering tone.http://www.broadhorizonnature.co.uk/trackhighabovefinglebridge.jpgLooking the other way from near the top of the track ascending from Fingle Bridge, which latter is hidden way down below. The recorder is about 25 metres behind me, just a little down the slope from this track. Recording made with a Sony PCMM10 on a Velbon minitripod, using the builtin microphones covered with a Rode Dead Kitten. http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 5th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively but I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction. Therefore, copies of recordings made in that period, including this one, which I supply on CDs or as licensed copies for commercial use, will have better sound quality and will sound clearer, more 'present', and with more precision of detail than what you hear from here. Please note that only very good speakers / headphones with a very extended and flat frequency response will do this recording real justice, and, as already noted, lesser speakers / headphones would make this sound quite fatiguing to listen to. Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another.(Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore.) Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif
描述：On 30th January 2013 I took out with me a set of Woodstock Chimes of Pluto and two sets of Music of the Spheres Gypsy wind chimes the Soprano and Mezzo sizes, the sounds of which latter two mesh together beautifully. I was aiming for the same recording location as I used for my previous wind chimes recordings in November 2012 but this time a very strong wind was blowing over the more exposed parts, and, on the Hunters' Path from Drewsteignton (Devon, UK), high up on the side of the socalled Teign Gorge above Fingle Bridge, as I was coming out of the woods that clothe the steep valley slopes I was suddenly blasted by a wind of about gale force (force 8 on the Beaufort scale), and realized that my previous recording locations here would most likely be too windy this time. So, I withdrew very slightly back into the top of the woods, descending slightly to just below the top part of the narrow track that ascends steeply from Fingle Bridge to join the Hunters' Path, and found a suitable group of low tree branches that were sufficiently sheltered to be getting a very nice range of wind strength, from very little indeed up to 'fresh' (force 5 on the Beaufort scale). Thus today was an opportunity to record a gale in the woods, with wind chimes intermingled in the wind sound and indeed quite often buried in it as the most powerful gusts came. The results turned out to be interesting and very much in accordance with what I had been hankering after for as long as I'd been thinking of recording wind chimes. It is important, therefore, to enable yourself to perceive this particular day's recordings NOT as 'failed' or otherwise bad chimes recordings, but as extremely successful galeinthewoods recordings complete with wind chimes. As well as the wind commotion, actually the River Teign far below was making its own quieter commotion, for it was particularly full after a lot of heavy rain, but during my whole 5+ hours' recording session I could never quite differentiate between the rushing sound of the Teign and the wind. One thing you are bound to notice is that the degree of activity of the chimes does not tally all that much with the degree of roaring of the wind in the trees. This is because of my relatively sheltered position, so the big and powerful eddies in the flow of the air as it comes over the hill into the valley go careering through the tree branches above and around me, but the gusts that come to me and the recorder and chimes are almost all NOT those directly but smaller subsidiary eddies that come spinning off the big ones. It is inevitable that the wind commotion will make particularly fatiguing listening, especially to the fulllength recordings, when played through anything other than really good speakers / headphones. Please note that in the fulllength recordings made on this day, ALL of them have some awesomely powerful and loud wind gusts that at times virtually drown out the chimes, so any of the excerpts here seeming louder or quieter than others is in fact misleading, as all the full length recordings have very loud and also almost quiet (albeit far from silent) moments. Please note also, that if you watch the waveform image here on Freesound while playing the excerpts you will NOT get the proper effect. The big wind gusts sound immensely more powerful and even frightening when you are NOT watching that, so you never know how much more the sound is going to increase, maybe to blow you and indeed the whole of Existence away :) Another listening tip if you have really good and wide stereo separation you will find that the wind sound is not simply a fluctuating roar (really rather boring), but a wonderful drama of ogreish 'wind monsters' chasing around here, there, and who knows where The threedimensional movement really makes an exciting drama of it all. This recording is of the Music of the Spheres Gypsy Soprano chimes. Without being combined with chimes tuned to other scales, the weird, emotionally intense quality of these chimes is able to sing out. This is a 5minute excerpt from the 31+ minutes full recording. http://www.broadhorizonnature.co.uk/recordingnrtopofwoodsabovefinglebridge.jpgThis photo shows my recording studio for 30th January 2013 almost at the top of the north side of the Teign Gorge, and facing obliquely over the valley, so that the great gusts of wind come roaring from the right and then go careering round over and down into the valley. The sets of chimes visible are the Gypsy Mezzo (left, and further away) and the Pluto (right).Note that the former being further away is not a bit of carelessness of mine, but a quite deliberate placement. I learnt from my first Gypsy Chimes recordings (back in November) that for best results they need to be placed further from the microphones than the Woodstock or bamboo chimes (at least, those that I have), on account of their more penetrating and potentially overpowering tone.http://www.broadhorizonnature.co.uk/trackhighabovefinglebridge.jpgLooking the other way from near the top of the track ascending from Fingle Bridge, which latter is hidden way down below. The recorder is about 25 metres behind me, just a little down the slope from this track. Recording made with a Sony PCMM10 on a Velbon minitripod, using the builtin microphones covered with a Rode Dead Kitten. http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 5th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively but I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction. Therefore, copies of recordings made in that period, including this one, which I supply on CDs or as licensed copies for commercial use, will have better sound quality and will sound clearer, more 'present', and with more precision of detail than what you hear from here. Please note that only very good speakers / headphones with a very extended and flat frequency response will do this recording real justice, and, as already noted, lesser speakers / headphones would make this sound quite fatiguing to listen to. Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another. Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif
描述：On 30th January 2013 I took out with me a set of Woodstock Chimes of Pluto and two sets of Music of the Spheres Gypsy wind chimes the Soprano and Mezzo sizes, the sounds of which latter two mesh together beautifully. I was aiming for the same recording location as I used for my previous wind chimes recordings in November 2012 but this time a very strong wind was blowing over the more exposed parts, and, on the Hunters' Path from Drewsteignton (Devon, UK), high up on the side of the socalled Teign Gorge above Fingle Bridge, as I was coming out of the woods that clothe the steep valley slopes I was suddenly blasted by a wind of about gale force (force 8 on the Beaufort scale), and realized that my previous recording locations here would most likely be too windy this time. So, I withdrew very slightly back into the top of the woods, descending slightly to just below the top part of the narrow track that ascends steeply from Fingle Bridge to join the Hunters' Path, and found a suitable group of low tree branches that were sufficiently sheltered to be getting a very nice range of wind strength, from very little indeed up to 'fresh' (force 5 on the Beaufort scale). Thus today was not only to be an experiment to see to what extent the Gypsy chimes could usefully be combined with any of the quite different sounding Woodstock chimes, but also an opportunity to record a gale in the woods, with wind chimes intermingled in the wind sound and indeed quite often buried in it as the most powerful gusts came. The results turned out to be interesting and very much in accordance with what I had been hankering after for as long as I'd been thinking of recording wind chimes. It is important, therefore, to enable yourself to perceive this particular day's recordings NOT as 'failed' or otherwise bad chimes recordings, but as extremely successful galeinthewoods recordings complete with wind chimes. As well as the wind commotion, actually the River Teign far below was making its own quieter commotion, for it was particularly full after a lot of heavy rain, but during my whole 5+ hours' recording session I could never quite differentiate between the rushing sound of the Teign and the wind. One thing you are bound to notice is that the degree of activity of the chimes does not tally all that much with the degree of roaring of the wind in the trees. This is because of my relatively sheltered position, so the big and powerful eddies in the flow of the air as it comes over the hill into the valley go careering through the tree branches above and around me, but the gusts that come to me and the recorder and chimes are almost all NOT those directly but smaller subsidiary eddies that come spinning off the big ones. It is inevitable that the wind commotion will make particularly fatiguing listening, especially to the fulllength recordings, when played through anything other than really good speakers / headphones. Please note that in the fulllength recordings made on this day, ALL of them have some awesomely powerful and loud wind gusts that at times virtually drown out the chimes, so any of the excerpts here seeming louder or quieter than others is in fact misleading, as all the full length recordings have very loud and also almost quiet (albeit far from silent) moments. Please note also, that if you watch the waveform image here on Freesound while playing the excerpts you will NOT get the proper effect. The big wind gusts sound immensely more powerful and even frightening when you are NOT watching that, so you never know how much more the sound is going to increase, maybe to blow you and indeed the whole of Existence away :) Another listening tip if you have really good and wide stereo separation you will find that the wind sound is not simply a fluctuating roar (really rather boring), but a wonderful drama of ogreish 'wind monsters' chasing around here, there, and who knows where The threedimensional movement really makes an exciting drama of it all. This recording is of the Woodstock Chimes of Pluto, plus the Music of the Spheres Gypsy Chimes, Soprano size. The combination of the Pluto and Gypsy chimes produces a curious effect. The Pluto chimes neutralize the intense emotional feel of the Gypsy chimes, and at the same time the latter neutralize the Pluto Chimes' buoyant 'happy' feel, and the combination has a delicately wistful sound as heard on my quite reasonable computer speakers. However, on my hifi system comes a revelation, and the effect is not really wistful at all but an almost happy and rejoicing sound, centred in certain gentle and teasing harmonic astringencies that this chimes combination has brought us. This is a 5minute excerpt from the 39+ minutes full recording. http://www.broadhorizonnature.co.uk/recordingnrtopofwoodsabovefinglebridge.jpgThis photo shows my recording studio for 30th January 2013 almost at the top of the north side of the Teign Gorge, and facing obliquely over the valley, so that the great gusts of wind come roaring from the right and then go careering round over and down into the valley. The sets of chimes visible are the Gypsy Mezzo (left, and further away) and the Pluto (right).Note that the former being further away is not a bit of carelessness of mine, but a quite deliberate placement. I learnt from my first Gypsy Chimes recordings (back in November) that for best results those particular chimes need to be placed further from the microphones than the Woodstock or bamboo chimes (at least, those that I have), on account of their more penetrating and potentially overpowering tone.http://www.broadhorizonnature.co.uk/trackhighabovefinglebridge.jpgLooking the other way from near the top of the track ascending from Fingle Bridge, which latter is hidden way down below. The recorder is about 25 metres behind me, just a little down the slope from this track. Recording made with a Sony PCMM10 on a Velbon minitripod, using the builtin microphones covered with a Rode Dead Kitten. http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 5th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively but I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction. Therefore, copies of recordings made in that period, including this one, which I supply on CDs or as licensed copies for commercial use, will have better sound quality and will sound clearer, more 'present', and with more precision of detail than what you hear from here. Please note that only very good speakers / headphones with a very extended and flat frequency response will do this recording real justice, and, as already noted, lesser speakers / headphones would make this sound quite fatiguing to listen to. Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another. Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif
描述：On 30th January 2013 I took out with me a set of Woodstock Chimes of Pluto and two sets of Music of the Spheres Gypsy wind chimes the Soprano and Mezzo sizes, the sounds of which latter two mesh together beautifully. I was aiming for the same recording location as I used for my previous wind chimes recordings in November 2012 but this time a very strong wind was blowing over the more exposed parts, and, on the Hunters' Path from Drewsteignton (Devon, UK), high up on the side of the socalled Teign Gorge above Fingle Bridge, as I was coming out of the woods that clothe the steep valley slopes I was suddenly blasted by a wind of about gale force (force 8 on the Beaufort scale), and realized that my previous recording locations here would most likely be too windy this time. So, I withdrew very slightly back into the top of the woods, descending slightly to just below the top part of the narrow track that ascends steeply from Fingle Bridge to join the Hunters' Path, and found a suitable group of low tree branches that were sufficiently sheltered to be getting a very nice range of wind strength, from very little indeed up to 'fresh' (force 5 on the Beaufort scale). Thus today was not only to be an experiment to see to what extent the Gypsy chimes could usefully be combined with any of the quite different sounding Woodstock chimes, but also an opportunity to record a gale in the woods, with wind chimes intermingled in the wind sound and indeed quite often buried in it as the most powerful gusts came. The results turned out to be interesting and very much in accordance with what I had been hankering after for as long as I'd been thinking of recording wind chimes. It is important, therefore, to enable yourself to perceive this particular day's recordings NOT as 'failed' or otherwise bad chimes recordings, but as extremely successful galeinthewoods recordings complete with wind chimes. As well as the wind commotion, actually the River Teign far below was making its own quieter commotion, for it was particularly full after a lot of heavy rain, but during my whole 5+ hours' recording session I could never quite differentiate between the rushing sound of the Teign and the wind. One thing you are bound to notice is that the degree of activity of the chimes does not tally all that much with the degree of roaring of the wind in the trees. This is because of my relatively sheltered position, so the big and powerful eddies in the flow of the air as it comes over the hill into the valley go careering through the tree branches above and around me, but the gusts that come to me and the recorder and chimes are almost all NOT those directly but smaller subsidiary eddies that come spinning off the big ones. It is inevitable that the wind commotion will make particularly fatiguing listening, especially to the fulllength recordings, when played through anything other than really good speakers / headphones. Please note that in the fulllength recordings made on this day, ALL of them have some awesomely powerful and loud wind gusts that at times virtually drown out the chimes, so any of the excerpts here seeming louder or quieter than others is in fact misleading, as all the full length recordings have very loud and also almost quiet (albeit far from silent) moments. Please note also, that if you watch the waveform image here on Freesound while playing the excerpts you will NOT get the proper effect. The big wind gusts sound immensely more powerful and even frightening when you are NOT watching that, so you never know how much more the sound is going to increase, maybe to blow you and indeed the whole of Existence away :) Another listening tip if you have really good and wide stereo separation you will find that the wind sound is not simply a fluctuating roar (really rather boring), but a wonderful drama of ogreish 'wind monsters' chasing around here, there, and who knows where The threedimensional movement really makes an exciting drama of it all. This recording is of the Woodstock Chimes of Pluto, plus the Music of the Spheres Gypsy Chimes, Mezzo size. The combination of the Pluto and Gypsy chimes produces a curious effect. The Pluto chimes neutralize the intense emotional feel of the Gypsy chimes, and at the same time the latter neutralize the Pluto Chimes' buoyant 'happy' feel, and the combination has a delicately wistful sound as heard on my quite reasonable computer speakers. However, on my hifi system comes a revelation, and the effect is not really wistful at all but an almost happy and rejoicing sound, centred in certain gentle and teasing harmonic astringencies that this chimes combination has brought us. This is a 5minute excerpt from the 36+ minutes full recording. http://www.broadhorizonnature.co.uk/recordingnrtopofwoodsabovefinglebridge.jpgThis photo shows my recording studio for 30th January 2013 almost at the top of the north side of the Teign Gorge, and facing obliquely over the valley, so that the great gusts of wind come roaring from the right and then go careering round over and down into the valley. The sets of chimes visible are the Gypsy Mezzo (left, and further away) and the Pluto (right).Note that the former being further away is not a bit of carelessness of mine, but a quite deliberate placement. I learnt from my first Gypsy Chimes recordings (back in November) that for best results those particular chimes need to be placed further from the microphones than the Woodstock or bamboo chimes (at least, those that I have), on account of their more penetrating and potentially overpowering tone.http://www.broadhorizonnature.co.uk/trackhighabovefinglebridge.jpgLooking the other way from near the top of the track ascending from Fingle Bridge, which latter is hidden way down below. The recorder is about 25 metres behind me, just a little down the slope from this track. Recording made with a Sony PCMM10 on a Velbon minitripod, using the builtin microphones covered with a Rode Dead Kitten. http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 5th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively but I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction. Therefore, copies of recordings made in that period, including this one, which I supply on CDs or as licensed copies for commercial use, will have better sound quality and will sound clearer, more 'present', and with more precision of detail than what you hear from here. Please note that only very good speakers / headphones with a very extended and flat frequency response will do this recording real justice, and, as already noted, lesser speakers / headphones would make this sound quite fatiguing to listen to. Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another.(Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore.) Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif
描述：On 30th January 2013 I took out with me a set of Woodstock Chimes of Pluto and two sets of Music of the Spheres Gypsy wind chimes the Soprano and Mezzo sizes, the sounds of which latter two mesh together beautifully. I was aiming for the same recording location as I used for my previous wind chimes recordings in November 2012 but this time a very strong wind was blowing over the more exposed parts, and, on the Hunters' Path from Drewsteignton (Devon, UK), high up on the side of the socalled Teign Gorge above Fingle Bridge, as I was coming out of the woods that clothe the steep valley slopes I was suddenly blasted by a wind of about gale force (force 8 on the Beaufort scale), and realized that my previous recording locations here would most likely be too windy this time. So, I withdrew very slightly back into the top of the woods, descending slightly to just below the top part of the narrow track that ascends steeply from Fingle Bridge to join the Hunters' Path, and found a suitable group of low tree branches that were sufficiently sheltered to be getting a very nice range of wind strength, from very little indeed up to 'fresh' (force 5 on the Beaufort scale). Thus today was an opportunity to record a gale in the woods, with wind chimes intermingled in the wind sound and indeed quite often buried in it as the most powerful gusts came. The results turned out to be interesting and very much in accordance with what I had been hankering after for as long as I'd been thinking of recording wind chimes. It is important, therefore, to enable yourself to perceive this particular day's recordings NOT as 'failed' or otherwise bad chimes recordings, but as extremely successful galeinthewoods recordings complete with wind chimes. As well as the wind commotion, actually the River Teign far below was making its own quieter commotion, for it was particularly full after a lot of heavy rain, but during my whole 5+ hours' recording session I could never quite differentiate between the rushing sound of the Teign and the wind. One thing you are bound to notice is that the degree of activity of the chimes does not tally all that much with the degree of roaring of the wind in the trees. This is because of my relatively sheltered position, so the big and powerful eddies in the flow of the air as it comes over the hill into the valley go careering through the tree branches above and around me, but the gusts that come to me and the recorder and chimes are almost all NOT those directly but smaller subsidiary eddies that come spinning off the big ones. It is inevitable that the wind commotion will make particularly fatiguing listening, especially to the fulllength recordings, when played through anything other than really good speakers / headphones. Please note that in the fulllength recordings made on this day, ALL of them have some awesomely powerful and loud wind gusts that at times virtually drown out the chimes, so any of the excerpts here seeming louder or quieter than others is in fact misleading, as all the full length recordings have very loud and also almost quiet (albeit far from silent) moments. Please note also, that if you watch the waveform image here on Freesound while playing the excerpts you will NOT get the proper effect. The big wind gusts sound immensely more powerful and even frightening when you are NOT watching that, so you never know how much more the sound is going to increase, maybe to blow you and indeed the whole of Existence away :) Another listening tip if you have really good and wide stereo separation you will find that the wind sound is not simply a fluctuating roar (really rather boring), but a wonderful drama of ogreish 'wind monsters' chasing around here, there, and who knows where The threedimensional movement really makes an exciting drama of it all. This recording is of the Music of the Spheres Gypsy Soprano and Mezzo chimes. Without being combined with chimes tuned to other scales, the weird, emotionally intense quality of these chimes is able to sing out. As remarked for my November recordings of this combination, at a distance they sound remarkably like some haunting ghostly organ playing. I deliberately placed them at a fair distance from the recorder to get a bit more of that effect though actually the gustiness of the wind resulted in the chimes often being rather frisky and clangy, and that rather disrupts the 'ghostly distant organ' effect This is a 5minute excerpt from the 35+ minutes full recording. http://www.broadhorizonnature.co.uk/recordingnrtopofwoodsabovefinglebridge.jpgThis photo shows my recording studio for 30th January 2013 almost at the top of the north side of the Teign Gorge, and facing obliquely over the valley, so that the great gusts of wind come roaring from the right and then go careering round over and down into the valley. The sets of chimes visible are the Gypsy Mezzo (left, and further away) and the Pluto (right).Note that the former being further away is not a bit of carelessness of mine, but a quite deliberate placement. I learnt from my first Gypsy Chimes recordings (back in November) that for best results those particular chimes need to be placed further from the microphones than the Woodstock or bamboo chimes (at least, those that I have), on account of their more penetrating and potentially overpowering tone.http://www.broadhorizonnature.co.uk/trackhighabovefinglebridge.jpgLooking the other way from near the top of the track ascending from Fingle Bridge, which latter is hidden way down below. The recorder is about 25 metres behind me, just a little down the slope from this track. Recording made with a Sony PCMM10 on a Velbon minitripod, using the builtin microphones covered with a Rode Dead Kitten. http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 5th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively but I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction. Therefore, copies of recordings made in that period, including this one, which I supply on CDs or as licensed copies for commercial use, will have better sound quality and will sound clearer, more 'present', and with more precision of detail than what you hear from here. Please note that only very good speakers / headphones with a very extended and flat frequency response will do this recording real justice, and, as already noted, lesser speakers / headphones would make this sound quite fatiguing to listen to. Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another.(Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore.) Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif
描述：On 30th January 2013 I took out with me a set of Woodstock Chimes of Pluto and two sets of Music of the Spheres Gypsy wind chimes the Soprano and Mezzo sizes, the sounds of which latter two mesh together beautifully. I was aiming for the same recording location as I used for my previous wind chimes recordings in November 2012 but this time a very strong wind was blowing over the more exposed parts, and, on the Hunters' Path from Drewsteignton (Devon, UK), high up on the side of the socalled Teign Gorge above Fingle Bridge, as I was coming out of the woods that clothe the steep valley slopes I was suddenly blasted by a wind of about gale force (force 8 on the Beaufort scale), and realized that my previous recording locations here would most likely be too windy this time. So, I withdrew very slightly back into the top of the woods, descending slightly to just below the top part of the narrow track that ascends steeply from Fingle Bridge to join the Hunters' Path, and found a suitable group of low tree branches that were sufficiently sheltered to be getting a very nice range of wind strength, from very little indeed up to 'fresh' (force 5 on the Beaufort scale). Thus today was not only to be an experiment to see to what extent the Gypsy chimes could usefully be combined with any of the quite different sounding Woodstock chimes, but also an opportunity to record a gale in the woods, with wind chimes intermingled in the wind sound and indeed quite often buried in it as the most powerful gusts came. The results turned out to be interesting and very much in accordance with what I had been hankering after for as long as I'd been thinking of recording wind chimes. It is important, therefore, to enable yourself to perceive this particular day's recordings NOT as 'failed' or otherwise bad chimes recordings, but as extremely successful galeinthewoods recordings complete with wind chimes. To tell the truth, this particular day's spectacular recording session very nearly didn't happen I had arrived in the woods thinking just of recording the particular chimes I'd brought out, just with a little wind noise, and when I got setting up for the first recording, and the chimes were being drowned out by a monstrous gust in the trees, I had great doubts about continuing, but then rather dubiously set that recording going. After about 10 minutes I was wondering why the hell I was loitering around there for an obvious failure of a recording to run its course, and was starting to think of packing up there and then and trying to find a more sheltered place. At that point I used a special inner inquiry method that I call energy testing, and it gave a 'weakening' response (effectively a thumbsdown) to my doing so, so, a little perplexed, I let the recording run (originally intended to run for 40 to 45 minutes, to allow for some disturbances to be edited out). It was during the remainder of the time of that recording that I progressively woke up to what I was really recording, and started to get excited at the fact of my getting a real cracker of a gale recording and then I stuck to that same spot for the following seven extended recordings, then really excited to record as much as I could there. As well as the wind commotion, actually the River Teign far below was making its own quieter commotion, for it was particularly full after a lot of heavy rain, but during my whole 5+ hours' recording session I could never quite differentiate between the rushing sound of the Teign and the wind. One thing you are bound to notice is that the degree of activity of the chimes does not tally all that much with the degree of roaring of the wind in the trees. This is because of my relatively sheltered position, so the big and powerful eddies in the flow of the air as it comes over the hill into the valley go careering through the tree branches above and around me, but the gusts that come to me and the recorder and chimes are almost all NOT those directly but smaller subsidiary eddies that come spinning off the big ones. It is inevitable that the wind commotion will make particularly fatiguing listening, especially to the fulllength recordings, when played through anything other than really good speakers / headphones. Please note that in the fulllength recordings made on this day, ALL of them have some awesomely powerful and loud wind gusts that at times virtually drown out the chimes, so any of the excerpts here seeming louder or quieter than others is in fact misleading, as all the full length recordings have very loud and also almost quiet (albeit far from silent) moments. Please note also, that if you watch the waveform image here on Freesound while playing the excerpts you will NOT get the proper effect. The big wind gusts sound immensely more powerful and even frightening when you are NOT watching that, so you never know how much more the sound is going to increase, maybe to blow you and indeed the whole of Existence away :) Another listening tip if you have really good and wide stereo separation you will find that the wind sound is not simply a fluctuating roar (really rather boring), but a wonderful drama of ogreish 'wind monsters' chasing around here, there, and who knows where The threedimensional movement really makes an exciting drama of it all. This recording is of the Woodstock Chimes of Pluto, plus the Music of the Spheres Gypsy Chimes, Soprano and Mezzo sizes. The combination of the Pluto and Gypsy chimes produces a curious effect. The Pluto chimes neutralize the intense emotional feel of the Gypsy chimes, and at the same time the latter neutralize the Pluto Chimes' buoyant 'happy' feel, and the combination has a delicately wistful sound as heard on my quite reasonable computer speakers. However, on my hifi system comes a revelation, and the effect is not really wistful at all but an almost happy and rejoicing sound, centred in certain gentle and teasing harmonic astringencies that this chimes combination has brought us. This is a 5minute excerpt from the 36 minutes full recording. http://www.broadhorizonnature.co.uk/recordingnrtopofwoodsabovefinglebridge.jpgThis photo shows my recording studio for 30th January 2013 almost at the top of the north side of the Teign Gorge, and facing obliquely over the valley, so that the great gusts of wind come roaring from the right and then go careering round over and down into the valley. The sets of chimes visible are the Gypsy Mezzo (left, and further away) and the Pluto (right).Note that the former being further away is not a bit of carelessness of mine, but a quite deliberate placement. I learnt from my first Gypsy Chimes recordings (back in November) that for best results those particular chimes need to be placed further from the microphones than the Woodstock or bamboo chimes (at least, those that I have), on account of their more penetrating and potentially overpowering tone.http://www.broadhorizonnature.co.uk/trackhighabovefinglebridge.jpgLooking the other way from near the top of the track ascending from Fingle Bridge, which latter is hidden way down below. The recorder is about 25 metres behind me, just a little down the slope from this track. Recording made with a Sony PCMM10 on a Velbon minitripod, using the builtin microphones covered with a Rode Dead Kitten. http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 5th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively but I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction. Therefore, copies of recordings made in that period, including this one, which I supply on CDs or as licensed copies for commercial use, will have better sound quality and will sound clearer, more 'present', and with more precision of detail than what you hear from here. Please note that only very good speakers / headphones with a very extended and flat frequency response will do this recording real justice, and, as already noted, lesser speakers / headphones would make this sound quite fatiguing to listen to. Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another.(Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore.) Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif