Loading...
| 来源： | Freesound 前往原页面 查看译文 |
| 作者： | lovesbody |
| 许可： | CC-BY 保留署名许可协议 |
| 描述： | there is no soundinitself. this is one of the primary lessons of musique concrete. Schaeffer, of course, was unable to comprehend this point; but we can, by exploring the field his work helps opens up with new tools and concepts, put his insights beyond his own limitations. this is to be done both philosophically and methodologically. philosophically, this is to be done by reading him through queer cyborg feminism and genderfuck Marxism. methodologically, it involves experimenting with different movements and microphone positioning. Cone Bass Distorted was created with the same cone, microphone and 'drum stick' that I made 'Cone Bass Clean' with. The cone was hit much harder and closer to its base; the microphone was stuffed farther up the cone's resonating chamber. experiment with the material organization of an object's resonating chamber. think the microphone as creatively distorting. one further note today: fck copyright. copyright is the juridical means of the musical commodity. One sound taken from the 'Microblocks, vol.1' percussive found sound samplepack. The samplepack features 135 unique field recordings culled from the ordinary soundscapes of Santa Cruz, CA. Find and download (for free) the rest of the sample pack here: https://fieldrecordingworkinggroup.bandcamp.com/releases The sample pack comes with an accompanying essay describing the method, politics and historical context of the samplepack. |
| 标签： | ambience cyborgpolitics city fieldrecording drumkits urban |
| 音频格式 | aiff |
| 声音时长 | 00:01 |
| 文件大小 | 395.1 KB |
| 比特率 | 2178 kbps |
| 采样率 | 44100 Hz |
| 位深度 | 24 bit |
| 声道 | 立体声 |