描述：2012年6月20日，用索尼PCMM10和Rycote Mini Windjammer在英国康沃尔郡Boscastle港Penally Point的顶端（也是山顶）进行录音，指向Boscastle港对岸的悬崖。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪在这里来的时候要大得多，因此听起来要壮观得多；在这个场合，它非常小，而且很有风度。 如果你用非常好的扬声器听，你可能会隐约听到重复的重击声和'whoomphs'，因为海浪打在这座微型山的另一侧（即向海）的悬崖上的各种大裂缝和小洞穴的末端。 海浪太小，潮水太低，众所周知的吹气孔不可能有什么动作；否则就会给声音画面带来很大的影响。 这段录音相当安静，我让它保持这种状态，因为这正是当时的情况。不仅海浪小而平缓，而且我在相当高的位置。在录音的后期，可以听到一架非常高的喷气式飞机，因此很遥远。 海鸥或多或少都是鲱鱼鸥。 请注意，这段录音的音量是经过仔细调整的，到目前为止，我所有的录音都是要用一个音量设置来听的，这个音量设置可以为古典音乐（一个大型但不特别的交响乐团）的播放提供一个真实的水平。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：2012年6月20日，用索尼PCMM10和Rycote Mini Windjammer在英国康沃尔郡Boscastle港的Penally Point向陆一侧进行了录音。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪来到这里时要大得多，因此听起来要壮观得多；在这个场合，它非常小，而且很有风度。 如果你用非常好的扬声器听，你可能会隐约听到重复的重击声和'whoomphs'，因为海浪打在这座微型山的另一侧（即向海）的悬崖上的各种大裂缝和小洞穴的尽头。 海浪太小，潮水太低，众所周知的吹气孔不可能有什么动作；否则就会给声音画面带来很大的影响。 这段录音相当安静，我让它保持这种状态，因为这正是当时的情况。不仅海浪小而平缓，而且我在相当高的位置。 在录音接近尾声时，一架接近的小型飞机的声音开始闯入。 海鸥几乎都是鲱鱼鸥，但在这次录音中，我确实听到了两声小黑背鸥的短暂叫声。 你还可以听到奇怪的微弱的乌鸦叫声。 请注意，这段录音的音量是经过仔细调整的，到目前为止，我所有的录音都是要用一个音量设置来听的，这个音量设置可以为古典音乐（一个大型但不特别的交响乐团）的播放提供一个真实的水平。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：2012年6月20日，用索尼PCMM10和Rycote Mini Windjammer在Penally Hill（英国康沃尔郡Boscastle港）靠近Penally Point的向海一侧进行录音，海水直接冲向悬崖。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪在这里会更大，因此听起来更壮观；而在这个场合，海浪非常小。 即便如此，当海浪打在悬崖上的各种裂缝和小洞穴的末端时，你可以听到反复的重击声和'呜呜'声。 较重的声音主要来自一个特殊的小洞穴，在这段录音中就在前面。 如果你用好的扬声器或具有扩展低频响应的耳机来听这段录音，你会在砰砰声和'whoomphs'中听到一些非常好的'地震'频率的声音. 请注意，这段录音的音量是经过仔细调整的，到目前为止，我所有的录音都是为了在播放古典音乐（大型但不特别的交响乐团）时，能有一个真实的音量设置来听的。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：2012年6月20日，用索尼PCMM10和Rycote Mini Windjammer在Penally Hill（英国康沃尔郡Boscastle港）靠近Penally Point的向海一侧进行录音，海水直接冲向悬崖。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪在这里会更大，因此听起来更壮观；而在这个场合，海浪非常小。 即便如此，当海浪打在悬崖上的各种裂缝和小洞穴的末端时，你可以听到反复的重击声和'呜呜'声。 较重的声音主要来自于这个录音中左边的一个特定的小山洞，但在录音机下方和右边的某个地方，也有另一个这种砰砰声的来源（不那么夸张）。 如果你用好的扬声器或有扩展低频响应的耳机来听这段录音，你会在砰砰声和'whoomphs'中听到一些非常好的'地震'频点。我期待着最终能在这个地方录制大浪拍岸的声音。相比之下，这段录音听起来就像牧师的茶话会:) 请注意，这段录音的音量是经过仔细调整的，到目前为止，我所有的录音都是要用一个音量设置来听的，这个音量设置可以为古典音乐（一个大型但不特别的交响乐团）的播放提供一个真实的水平。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：2013年1月9日，在佩纳利山（英国康沃尔郡博斯凯尔港）靠近佩纳利角的海边低处进行的录音，海水直接冲到悬崖边上。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪在这里会更大，因此听起来更壮观；在这个场合，它实际上仍然相当温和，尽管比我之前在2012年6月20日这个位置的录音要多得多。 重复的重击声和'whoomphs'是在海浪撞击悬崖上的各种裂缝和小洞穴的末端时产生的。 较重的声音主要来自于这个录音中正中偏左的一个特殊的小洞穴，我认为它是博卡斯尔吹气孔的向海面（即'接受端'）。 在这段录音中，吹气孔向海的一面，所有沉重的轰鸣声和呜咽声都在左边，录音师面向大海，右边也有一些剧烈的海上活动，但发出的轰鸣声和呜咽声要微妙得多，往往被左边的连续骚动所淹没了。 http://www.broadhorizonnature.co.uk/recordingbyboscastleblowholeseawardsidefacingseaward.jpg 这段录音是用索尼PCMM10放在Hama迷你三脚架上，用Rode Deadkitten覆盖的内置话筒录制的。有一股非常轻微的微风从右边吹来，但在录音中完全注意不到。 可提供此录音的更高质量版本我上传到Freesound的录音是标准CD质量（44.1KHz，16位）。从我2013年1月9日的录音开始，我所有的录音都可以用48KHz 24位的FLAC格式来补充。如果有兴趣，请看我的Broad Horizon Natural Soundscapes页面了解详情。http://www.broadhorizonnature.co.uk/arrowlongright.gif 请注意，2013年1月5日至2月2日（包括这次）的所有录音没有收到任何由新Rode Dead Kitten风箱造成高频衰减的修正。后来，我想出了一个图形均衡配置文件，适用于所有使用该防风罩的录音，并已追溯应用 但我没有计划通过麻烦的方式重新上传最初错过修正的录音。因此，在那个时期制作的录音副本，包括这个，我提供的CD或作为商业用途的许可副本，将有更好的音质，听起来更清晰，更 "存在"，比你从这里听到的细节更精确。 请注意，只有非常好的扬声器/耳机，具有非常宽广的低音响应，才能真正实现这段录音。此外，在有任何形式的繁荣的扬声器上，它可能听起来令人不愉快的繁荣（如我的电脑扬声器！）。还请注意，这个录音的音量水平已经被仔细调整过了，到目前为止，我所有的录音都是为了听一个真实的音量设置来播放古典音乐（一个大型但不特别的交响乐团）的。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：2013年1月9日，在佩纳利山（英国康沃尔郡博斯凯尔港）靠近佩纳利角的海边低处进行的录音，海水直接冲向悬崖。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪在这里会更大，因此听起来更壮观；在这个场合，它实际上仍然相当温和，尽管比我之前在2012年6月20日这个位置的录音要多得多。 重复的重击声和'whoomphs'是在海浪冲击悬崖上的各种裂缝和小洞穴的末端时产生的。 较重的声音主要来自于一个特殊的小洞穴，在这段录音中，它就在中心的左边，我认为它是博卡斯尔吹气孔的向海一面（即'接收端'）。 因为录音机是指向吹气孔的'后端'（即接收端），所以它实际上大致是沿着悬崖线指向的，右边是开放的大海：

描述：Recording made on 9th January 2013, on the northeast side of Boscastle Harbour, at a decidedly precarious position somewhat down on the cliff slabs directly above the blowhole low down on the inland side of the hulk of Penally Point. The blowhole is actually an early stage of the breakingthrough of a sea cave on the seaward side of the hulk of Penally Point, and waves hitting the end of the cave there cause shockwaves in the air and cause the violent ejection of often quite long jets of spray with impressive heavy whoomphs. Those jets of spray are generally roughly horizontal or very slightly inclined upwards, and you can hear the ejected water splashing down following many of the whoomphs. However, on one occasion just while I was setting the recorder up for this recording, there was an almighty whoomph, much more strongly 'earthquaky' than any of the others I heard, and the ensuing jet from the blowhole shot up to even a bit higher than where I was though fortunately spray didn't come this way, so I didn't have to retreat. http://www.broadhorizonnature.co.uk/penallysideboscastleharbourlowerblowhole.jpgThe blowhole in operation at the foot of the cliff.The recorder is an almost imperceptible whitish speck on the steep slope. http://www.broadhorizonnature.co.uk/recordingboscastleblowholefromjustabove.jpgThat looks precarious? Yes, it was, especially as many patches of the rock slabs there were wet and slippery. I had to use extreme care in getting down from the rough little track on the rocks to the recorder position but at least it was worth it The tide was coming in during this recording, and from about halfway through this results in the blowhole whoomphs and ejections becoming progressively smaller. Indeed, I thought that they had actually stopped altogether and that I'd want to cut off some of this recording but it is clear from listening to it, that the blowhole had just become much more subdued and not (at least then) actually nonoperational. This recording was made with a Sony PCMM10 on a Hama minitripod, using the builtin microphones covered with a Rode Deadkitten. There was a very light breeze coming from behind / left of the recorder, but not enough to notice at all in the recording. Higher quality version of this recording availableThe recordings that I upload to Freesound are of standard CD quality (44.1KHz, 16bit). As from my recordings made on 9th January 2013, all my recordings are additionally available in 48KHz 24bit, FLAC format. If interested, please see my Broad Horizon Natural Soundscapes page for details.http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 7th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively but I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction. Therefore, copies of recordings made in that period, including this one, which I supply on CDs or as licensed copies for commercial use, will have better sound quality and will sound clearer, more 'present', and with more precision of detail than what you hear from here. Please note that only very good speakers / headphones with a very extended bass response will do this recording real justice. Also, it may sound unpleasantly boomy on speakers that have any sort of boominess (like my computer speakers). Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another.(Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore.) Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：Recording made on 9th January 2013, on the northeast side of Boscastle Harbour, at a rather precarious position somewhat below the main path along there, overlooking the stone jetty on that side of the harbour and pointing obliquely across the mouth of the harbour though my saying that actually wouldn't mean very much to anyone who doesn't know the funny shape of the harbour, which bends round to the left and then opens to the right (seaward). The blowhole is at the waterline when the tide is lowtomiddling, and is a bit right of centre in this soundscape. It is actually an early stage of the breakingthrough of a sea cave on the seaward side of the hulk of Penally Point, and waves hitting the end of the cave there cause shockwaves in the air and cause the violent ejection of often quite long jets of spray with impressive heavy whoomphs. Those jets of spray are generally roughly horizontal or very slightly inclined upwards, and you can hear the ejected water splashing down following many of the whoomphs. http://www.broadhorizonnature.co.uk/penallysideboscastleharbourlowerblowhole.jpgThe blowhole in operation at the foot of the cliff.This recording was made on this side of the harbour,but a fair bit further removed, in the inland direction. Much of the straightforward ongoing water noise in this recording is actually not so much the sea but the Boscastle stream (which flooded so devastatingly a few years ago), which is normally very shallow and lazily tumbles over the stones in the stream / harbour bed while the tide is out. I really would have liked to continue this recording for at least half an hour, but changed my mind about that once I had started this recording and then got reconnoitring to see what would be the best next position to place the recorder. Not only did I find that I could make a recording from directly above and fairly close to the blowhole, but I was also aware that the tide was coming in and would presently stop the noticeable blowhole ejections so I chose to ensure that my recording from directly above the blowhole had priority to ensure maximum duration before I lost the 'dramatics', and thus I returned to terminate this recording. Interestingly, the heaviest whoomphs caused clipping on this recording, but only for one peak on that second recording here, which was so much nearer the blowhole. Although I couldn't hear the effects of any of the peak clippings, this time I chose experimentally to use the 'clip fix' plugin in Audacity, first lowering the level of this recording to allow headroom for reconstruction of clipped peaks, and then normalizing to virtually 100 afterwards. Presumably that processing would have softened any slightly abrasive and fatiguing effect of the clipped peaks though there were only about ten of them, so there wouldn't have been much of an issue about that anyway. This recording was made with a Sony PCMM10 on a Hama minitripod, using the builtin microphones covered with a Rode Deadkitten. There was a very light breeze coming from behind / left of the recorder, but not enough to notice at all in the recording. Higher quality version of this recording availableThe recordings that I upload to Freesound are of standard CD quality (44.1KHz, 16bit). As from my recordings made on 9th January 2013, all my recordings are additionally available in 48KHz 24bit, FLAC format. If interested, please see my Broad Horizon Natural Soundscapes page for details.http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 5th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively but I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction. Therefore, copies of recordings made in that period, including this one, which I supply on CDs or as licensed copies for commercial use, will have better sound quality and will sound clearer, more 'present', and with more precision of detail than what you hear from here. Please note that only very good speakers / headphones with a very extended bass response will do this recording real justice. Also, it may sound unpleasantly boomy on speakers that have any sort of boominess (like my computer speakers). Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another.(Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore.) Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：Recording made on 2nd February 2013, on the northeast side of Boscastle Harbour, in a decidedly unusual position somewhat below the main path along there, overlooking the stone jetty on that side of the harbour and pointing obliquely across the mouth of the harbour though my saying that actually wouldn't mean very much to anyone who doesn't know the funny shape of the harbour, which bends round to the left and then opens to the right (seaward). The blowhole is at the waterline when the tide is lowtomiddling, and is a bit right of centre in this soundscape. It is actually an early stage of the breakingthrough of a sea cave on the seaward side of the hulk of Penally Point, and waves hitting the end of the cave there cause shockwaves in the air and cause the violent ejection of often quite long jets of spray with impressive heavy whoomphs. Those jets of spray are generally roughly horizontal or very slightly inclined upwards, and you can hear the ejected water splashing down following many of the whoomphs. I had intended to place the recorder in exactly the same precarious position on a protruding ledge, where I placed it for the equivalent 9th January recording, but as I came round the side of that crag I thought the wind was a bit on the strong side there, and also I was looking rather nervously at the clouds, which had lightly showered on me several times during the morning and were looking as though they might fairly imminently do so again. I was in fact about to give up the idea of setting up this recording and just make do with the one right above the blowhole, when I noticed right beside me a small overhung recess in the crag, probably about 60 to 70cm high and not much wider, and I noticed that as I stuck my ear in there I could hear a whole lot of booming from the sea that I was not otherwise hearing. So, for the hell of it I placed the recorder in there. That has predictably resulted in a really weird recording, which is not only very boomy but also has a narrow, sort of 'tunnelvision' main stereo image, apart from the thumps and booms, which are more omnidirectional. This recording, therefore, is, in normal terms, an extremely BAD one, but I present it here as a GREAT recording of the sound of Boscastle Harbour and blowhole as could be heard by a mouse or small bird in a little recess in a crag :) Well, except that I eventually came to recognise that it could be MUCH improved see further below. do please listen to the newer version of this recording and see what a dramatic improvement I was able to bring about by applying a carefully worked out shaped bass adjustment to counter my recorder's inherent broad bass 'hump'. Some peaks caused by the exaggerated thumps and booms from the blowhole got clipped, and I didn't increase the level to get a more accurate rendering of the sea sound, in order not to get a lot more clipping. I could have given this lot a bass cut of course, but then that wouldn't have properly represented what was actually to be heard within that recess. Well, that was how I was viewing the matter, but after being confronted with certain issues in my birds and wind chimes recordings of 5th March 2013 and then checking back through previous recordings, I established that I had been unwittingly accepting a significant and quite audible broad 'hump' in the lower bass frequencies of ALL my recordings. I have now rectified that retrospectively, using a carefully constructed EQ curve in Audacity, and I now present the newer version of this recording. Suffice it to say, the newer version, although still inevitably sounding weird, does not now sound anything like as boomy, and because the peaks are reduced, I have been able to bring up the level to a more realistic one for the sea sound, revealing a distinctly wider stereo image and indeed sounding beautiful enough that, against it, this original version sounds quite horrible, steeped in a detailswallowing lowfrequency 'fug' Much later note:Oops, I got the above wrong The apparent bass hump in my recordings was NOT in the recordings but was a room resonance issue affecting the sound of my hifi system So I had a lot of work to do in processing and editing new copies from my archived unprocessed originals, without the bass being interfered with. This recording in its authentic state can, then, sound great, but only with correction for any room resonance affecting the sound from one's playback system. I nowadays use an AntiMode 2.0 Dual Core for that purpose, and it is really great. This recording was made with a Sony PCMM10 on a Hama minitripod, using the builtin microphones covered with a Rode Deadkitten. The breeze reaching the recorder appeared to be a straighton force 3 on the Beaufort scale (upper end of 'light'). Higher quality version of this recording availableThe recordings that I upload to Freesound are of standard CD quality (44.1KHz, 16bit). As from my recordings made on 9th January 2013, all my recordings are additionally available in 48KHz 24bit, FLAC format. If interested, please see my Broad Horizon Natural Soundscapes page for details.http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 5th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively. Although in general I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction, in this particular case the newer version of this recording already mentioned has that improvement as well as its dramatic bass 'improvement', which latter, sadly, was actually a degradation Please note that only very good speakers / headphones with a very extended bass response will do this recording real justice. Also, it may sound unpleasantly boomy on speakers that have any sort of boominess (like my computer speakers). Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another.(Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore.) Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif (N.B. This description may have changed a bit since it was featured, because about half of it got wiped out for some reason when I attempted to add a smiley, and I then had a bit of 'rebuilding' work to do)

描述：Recording made on 2nd February 2013, on the northeast side of Boscastle Harbour, at a rather precarious position somewhat down on the cliff slabs above the blowhole low down on the inland side of the hulk of Penally Point, but slightly higher and less precarious than for my 9th January recording notionally at the same spot, because I was a bit concerned that the breeze this time might go blowing blowhole spray back up and over the recorder. The blowhole is actually an early stage of the breakingthrough of a sea cave on the seaward side of the hulk of Penally Point, and waves hitting the end of the cave there cause pressure waves in the air and cause the violent ejection of often quite long jets of spray with impressive heavy whoomphs. Those jets of spray are generally roughly horizontal or very slightly inclined upwards, and you can hear the ejected water splashing down following many of the whoomphs. http://www.broadhorizonnature.co.uk/penallysideboscastleharbourlowerblowhole.jpgThe blowhole in operation at the foot of the cliff.http://www.broadhorizonnature.co.uk/recordingboscastleblowholefromjustabove.jpgThe recorder in operation for the 9th January recording notionally at this spot. This time I placed it a little higher and more out of the way of any spray blowing back, and also a bit less risky for me to get to. The tide was going out during this recording, and indeed the blowhole started its giant superwet farts bang on cue, just two hours before low tide, just as I was about to set up this recording. However, the 'performance' was no better than for my January recording session here, and it didn't last so long i.e. as anything really impressive. This recording was made with a Sony PCMM10 on a Hama minitripod, using the builtin microphones covered with a Rode Dead Kitten. The wind was generally a strong northwesterly, but this situation was relatively sheltered, with breeze fluctuation between 'light' and 'moderate' (force 2 to 4 on the Beaufort scale), coming mainly headon for the recorder, though varying a lot in direction as this was not the main direct wind anyway but the odd little eddies that were spinning off it. Actually, this recording should have been about 50 minutes' duration, being made while the other recording (just a little upstream) was running and I ate my packed lunch. I could hardly see the recorder from my lunch position (about halfway between the two recorders), and, unbeknown to me, something invisible to me knocked the recorderonminitripod over onto its side. When I recovered it I found that, mystifyingly it was switched off. Back at home I found that it had about 21 minutes' worth of recording, which cut off abruptly with no indication of any disturbance. At first I was very mystified as to what had happened, as I had seen no people nor dogs nor seabirds go anywhere near the recorder, and the wind around there wasn't anything close to what would blow the recorder over, and I would expect to hear sudden microphone wind noise just prior to the cutoff, and there was none. I eventually worked out a possible scenario, as follows: The recorder was knocked over by a sudden 'freak' local concentration of pressure waves from the blowhole (i.e. added to by reflections from different parts of the cliff crags there). The modest sideways impact of the recorder on the rock was sufficient to transiently interrupt the electrical contact with the batteries, resulting in a sudden shutdown. The fall appeared not to have been recorded, but actually would have been recorded into the device's working memory buffer, but the recorder would not have had sufficient time to commit that to the memory card before the unexpected shutdown.Higher quality version of this recording availableThe recordings that I upload to Freesound are of standard CD quality (44.1KHz, 16bit). As from my recordings made on 9th January 2013, all my recordings are additionally available in 48KHz 24bit, FLAC format. If interested, please see my Broad Horizon Natural Soundscapes page for details.http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 5th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively but I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction. Therefore, copies of recordings made in that period, including this one, which I supply on CDs or as licensed copies for commercial use, will have better sound quality and will sound clearer, more 'present', and with more precision of detail than what you hear from here. Please note that only very good speakers / headphones with a very extended bass response will do this recording real justice. Also, it may sound unpleasantly boomy on speakers that have any sort of boominess (like my computer speakers). Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another.(Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore.) Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：The original version of this recording was highlighted in the Freesound blog for the quality of its description ("The new gold standard for Freesound descriptions" Wow http://www.broadhorizonnature.co.uk/meicon_confused.gif). While of course I felt duly sortof honoured to get such an accolade, I also felt a little wryly miffed that that particular recording had been picked upon for that honour, for, as I noted in its original description, it was more of curiosity value rather than being a good recording of Boscastle Harbour / blowhole, and so actually it was rather a bizarre choice for getting featured at all That recording then got several 5star ratings, whereas my three other, really good, recordings of the Boscastle blowhole had only one 4star rating between them So, finally I've chosen to reupload the recording as it now exists on my system, with two carefully shaped EQ adjustments, both of which I now apply routinely to all my recordings: one to correct for the slight attenuation of high frequencies caused by the Rode Dead Kitten windshield, and the other, to correct for an audible broad 'hump' in the lower bass frequencies an issue that appears to be intrinsic to the Sony PCMM10, no matter what clean bill of health any reviews may have given that model. The latter adjustment has had a particularly dramatic effect on this recording, because it was so replete with just those frequencies that tally with my recorder's bass hump. All the peaks were thus greatly reduced in size, and that enabled me at last to raise the overall level to get me a realistic level for the sea sound. To my ears, listened to through my hifi speakers, the recording is now really beautiful and lifelike (albeit, naturally, sounding a bit weird because of the recorder sitting in almost a minicave), and against this version the original, which got all those 5star ratings, sounds quite horrible http://www.broadhorizonnature.co.uk/meicon_lol.gif (I'll leave others this time to make some delicious faecal comparisons) I am not (at least for some time) deleting the original here, because the comparison is so educational. On my Freesound home page you can see the graphic EQ curve that I've used to improve this recording so much. Here follow the general notes (i.e., that are still applicable here) belonging to the original version with the odd relevant amendments. Recording made on 2nd February 2013, on the northeast side of Boscastle Harbour, in a decidedly unusual position somewhat below the main path along there, overlooking the stone jetty on that side of the harbour and pointing obliquely across the mouth of the harbour though my saying that actually wouldn't mean very much to anyone who doesn't know the funny shape of the harbour, which bends round to the left and then opens to the right (seaward). The blowhole is at the waterline when the tide is lowtomiddling, and is a bit right of centre in this soundscape. It is actually an early stage of the breakingthrough of a sea cave on the seaward side of the hulk of Penally Point, and waves hitting the end of the cave there cause shockwaves in the air and cause the violent ejection of often quite long jets of spray with impressive heavy whoomphs. Those jets of spray are generally roughly horizontal or very slightly inclined upwards, and you can hear the ejected water splashing down following many of the whoomphs. I had intended to place the recorder in exactly the same precarious position on a protruding ledge, where I placed it for the equivalent 9th January recording, but as I came round the side of that crag I thought the wind was a bit on the strong side there, and also I was looking rather nervously at the clouds, which had lightly showered on me several times during the morning and were looking as though they might fairly imminently do so again. I was in fact about to give up the idea of setting up this recording and just make do with the one right above the blowhole, when I noticed right beside me a small overhung recess in the crag, probably about 60 to 70cm high and not much wider, and I noticed that as I stuck my ear in there I could hear a whole lot of booming from the sea that I was not otherwise hearing. So, for the hell of it I placed the recorder in there. That has predictably resulted in a really weird recording, which not only has a distinct boomy element (though much less so in this adjusted version), but also has a narrow, sort of 'tunnelvision' main stereo image (though actually apparently quite a bit wider in this adjusted version than in the original), apart from the thumps and booms, which are more omnidirectional. This recording, therefore in normal terms could be viewed as a poor one, but I present it here as a GREAT recording of the sound of Boscastle Harbour and blowhole as could be heard by a mouse or small bird in a little recess in a crag http://www.broadhorizonnature.co.uk/meicon_wink.gif It is also really quite beautiful in its own way, and I may well even repeat this such time as I'm there with a higher sea making the blowhole more exciting.http://www.broadhorizonnature.co.uk/penallysideboscastleharbourlowerblowhole.jpgThe blowhole in operation at the foot of the cliff.This recording was made on this side of the harbour,but a fair bit further removed, in the inland direction. This recording was made with a Sony PCMM10 on a Hama minitripod, using the builtin microphones covered with a Rode Deadkitten. The breeze reaching the recorder appeared to be a straighton force 3 on the Beaufort scale (upper end of 'light'). Higher quality version of this recording availableThe recordings that I upload to Freesound are of standard CD quality (44.1KHz, 16bit). As from my recordings made on 9th January 2013, all my recordings are additionally available in 48KHz 24bit, FLAC format. If interested, please see my Broad Horizon Natural Soundscapes page for details. (Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore, where you can also find another CD of the Boscastle blowhole.) Please note that only very good speakers / headphones with a very extended bass response will do this recording real justice. Also, it may sound unpleasantly boomy on speakers that have any sort of boominess (like my computer speakers). Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another. Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：这段录音拍摄于2012年6月17日，使用索尼PCMM10和Rycote Mini Windjammer的内部话筒，在离英国康沃尔郡Boscastle不远的Beeny Cliff上一个相当暴露的位置。这是在一个点上，原来非常暴露的一段海岸线已经被放弃，建立了一个不太暴露的改道，但在这里，我到了那个暴露的地方，海面上的悬崖被切开了，

描述：位于拉科鲁尼亚（西班牙）省的加利西亚海岸线的标志性短片拍摄：The Dead of Dead

描述：我们在夏威夷旅行时记录了这个声音。你可以在这里观看关于夏威夷的旅行视频：https：//youtu.be/V9YfOn_NoxI你可以在你的项目中使用这个声音，无论它是商业的还是非商业的，但如果你可以在我的某个地方标记我的Instagram帐户，那将是很棒的。说明：https：//www.instagram.com/florianreichelt/ALL声音效果已经与H4N Pro一起录制：https：//amzn.to/2PACYyRL留言并告诉我您使用的是哪个项目 :)顺便说一句 你们有没有看过我最新的关于日本的旅游视频？如果不是你应该肯定看它：https：//youtu.be/QcGmpWx4DXQ 城市，人民和整体文化都非常出色，它们也激励着您旅行。 素材库不是死的！通过BlackBox赚取2000美元/月！现在注册：http：//bit.ly/StockBlackBox

描述：2012年6月17日摄于英国康沃尔郡Crackington Haven和Boscastle之间的Buckator附近的海岸小路的崖顶。几只石鸡在一片戈壁上飞来飞去，并发出他们明确无误的小声'聊天！'的声音，就像把两块鹅卵石打在一起一样