描述：这段录音拍摄于2012年6月17日，使用索尼PCMM10和Rycote Mini Windjammer的内部话筒，在离英国康沃尔郡Boscastle不远的Beeny Cliff上一个相当暴露的位置。这是在一个点上，原来非常暴露的一段海岸线已经被放弃，建立了一个不太暴露的改道，但在这里，我到了那个暴露的地方，海面上的悬崖被切开了，

描述：2012年6月20日，用索尼PCMM10和Rycote Mini Windjammer在英国康沃尔郡Boscastle港Penally Point的顶端（也是山顶）进行录音，指向Boscastle港对岸的悬崖。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪在这里来的时候要大得多，因此听起来要壮观得多；在这个场合，它非常小，而且很有风度。 如果你用非常好的扬声器听，你可能会隐约听到重复的重击声和'whoomphs'，因为海浪打在这座微型山的另一侧（即向海）的悬崖上的各种大裂缝和小洞穴的末端。 海浪太小，潮水太低，众所周知的吹气孔不可能有什么动作；否则就会给声音画面带来很大的影响。 这段录音相当安静，我让它保持这种状态，因为这正是当时的情况。不仅海浪小而平缓，而且我在相当高的位置。在录音的后期，可以听到一架非常高的喷气式飞机，因此很遥远。 海鸥或多或少都是鲱鱼鸥。 请注意，这段录音的音量是经过仔细调整的，到目前为止，我所有的录音都是要用一个音量设置来听的，这个音量设置可以为古典音乐（一个大型但不特别的交响乐团）的播放提供一个真实的水平。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：2012年6月20日，用索尼PCMM10和Rycote Mini Windjammer在英国康沃尔郡Boscastle港的Penally Point向陆一侧进行了录音。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪来到这里时要大得多，因此听起来要壮观得多；在这个场合，它非常小，而且很有风度。 如果你用非常好的扬声器听，你可能会隐约听到重复的重击声和'whoomphs'，因为海浪打在这座微型山的另一侧（即向海）的悬崖上的各种大裂缝和小洞穴的尽头。 海浪太小，潮水太低，众所周知的吹气孔不可能有什么动作；否则就会给声音画面带来很大的影响。 这段录音相当安静，我让它保持这种状态，因为这正是当时的情况。不仅海浪小而平缓，而且我在相当高的位置。 在录音接近尾声时，一架接近的小型飞机的声音开始闯入。 海鸥几乎都是鲱鱼鸥，但在这次录音中，我确实听到了两声小黑背鸥的短暂叫声。 你还可以听到奇怪的微弱的乌鸦叫声。 请注意，这段录音的音量是经过仔细调整的，到目前为止，我所有的录音都是要用一个音量设置来听的，这个音量设置可以为古典音乐（一个大型但不特别的交响乐团）的播放提供一个真实的水平。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：2012年6月17日的录音，从我当天录制的另一个Cambeak的地方开始（158756）。Cambeak是一个非常有趣的崎岖岬角，在英国康沃尔郡Crackington Haven的南侧向西延伸，录音是在索尼PCMM10上进行的，使用内部麦克风和Rycote Mini Windjammer.

描述：这段录音是2013年2月16日我在英国康沃尔郡Portreath到Perranporth的海岸线上徒步旅行时的午休时间录制的与我2012年11月19日在这里录制的地点完全相同。我是在Chapel Porth西南侧的峭壁上向海一侧的崖顶上记录的。从表面上看，这是一个非常标准的沙滩上的冲浪声，但尽管如此，它与11月19日的录音明显不同。当时潮水退得很厉害，因此，尽管海浪相当大，但对我来说，并不能很好地分辨出单个海浪的声音，因为这种声音在很大程度上被淹没在每个破损的海浪所发出的普遍嘶嘶声中。 然而，这一次，尽管海浪实际上只有前一次的一半大小，但潮水相当好，所以破浪发生得更近，因此，我听到了更清晰的个别破浪声的区别。因此，我惊讶地发现，这个相对不引人注目的海浪实际上为我提供了一个可爱的录音，在你的听觉系统中，如果有良好的立体声分离，你将能够在一个令人印象深刻的海洋声音全景中听到个别的破浪声几乎180度。因此，它实际上比这里的前一个录音更吸引人，尽管它的特殊 "戏剧 "是关于细节的错综复杂的相互作用，而不是任何形式的蛮力。 录音机的确切位置是在突出部的向海一侧，紧挨着一条相当暴露的狭窄小路，这条小路沿着非常陡峭的悬崖斜坡延伸，为下降到Chapel Porth提供了一条冒险感觉的非官方路线。在这个特殊的日子里，它也很方便，因为它可以避开强劲的南风尽管在这个场合，有些微风 "作弊"，沿着这里吹，大多是蒲福等级的3到4级（"轻度或中度"），在这个录音中来自左边尽管我不能肯定地识别任何麦克风的风声。 在这段录音中，有两架明显的飞机飞过，但我剪掉了受第一架飞机影响的2分钟左右的时间，因为它太响了，很有干扰性，但我留下了另一架飞机，因为它为连续的海声提供了一种平衡的 "标点"，而且这种干扰并不强烈，非常简短。我注意到的其他 "附带 "声音是冲浪者定期发出的非常遥远的声音，他们在Chapel Porth的海面上相互呼唤。他们都是在声音舞台的右侧。根据你的听觉条件/设备，你可能听到也可能听不到。 像往常一样，在我的自然声景录音中，如果有明显的海或风的成分，只有真正好的高保真扬声器或耳机，并具有扩展和合理的平坦的低音响应，才能使这个录音真正公正，因为在声音中有一个相当大的 "白噪声 "元素，如果没有这样准确的再现，就听起来不对。还请注意，这个录音的音量水平已经被仔细调整过了，到目前为止，我所有的录音都是为了听一个真实的古典音乐（一个大型但并不特别的交响乐团）的音量设置而进行的。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。 用索尼PCMM10在Hama迷你三脚架上进行的录音，使用内置的麦克风，用Rode Dead Kitten防风罩覆盖。我在Audacity中使用了一个图形EQ配置文件来补偿挡风玻璃造成的轻微消音。 http://www.broadhorizonnature.co.uk/surfrecordingchapelporth_130216400.jpg这张照片是在这个录音运行时拍摄的。

描述：2012年6月20日，用索尼PCMM10和Rycote Mini Windjammer在Penally Hill（英国康沃尔郡Boscastle港）靠近Penally Point的向海一侧进行录音，海水直接冲向悬崖。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪在这里会更大，因此听起来更壮观；而在这个场合，海浪非常小。 即便如此，当海浪打在悬崖上的各种裂缝和小洞穴的末端时，你可以听到反复的重击声和'呜呜'声。 较重的声音主要来自一个特殊的小洞穴，在这段录音中就在前面。 如果你用好的扬声器或具有扩展低频响应的耳机来听这段录音，你会在砰砰声和'whoomphs'中听到一些非常好的'地震'频率的声音. 请注意，这段录音的音量是经过仔细调整的，到目前为止，我所有的录音都是为了在播放古典音乐（大型但不特别的交响乐团）时，能有一个真实的音量设置来听的。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：2012年6月20日，用索尼PCMM10和Rycote Mini Windjammer在Penally Hill（英国康沃尔郡Boscastle港）靠近Penally Point的向海一侧进行录音，海水直接冲向悬崖。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪在这里会更大，因此听起来更壮观；而在这个场合，海浪非常小。 即便如此，当海浪打在悬崖上的各种裂缝和小洞穴的末端时，你可以听到反复的重击声和'呜呜'声。 较重的声音主要来自于这个录音中左边的一个特定的小山洞，但在录音机下方和右边的某个地方，也有另一个这种砰砰声的来源（不那么夸张）。 如果你用好的扬声器或有扩展低频响应的耳机来听这段录音，你会在砰砰声和'whoomphs'中听到一些非常好的'地震'频点。我期待着最终能在这个地方录制大浪拍岸的声音。相比之下，这段录音听起来就像牧师的茶话会:) 请注意，这段录音的音量是经过仔细调整的，到目前为止，我所有的录音都是要用一个音量设置来听的，这个音量设置可以为古典音乐（一个大型但不特别的交响乐团）的播放提供一个真实的水平。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：海滩波浪大西洋海。

描述：和平和温和，是的（请不要把音量调大！），但平凡，不有一个不寻常的、相当令人不安的方面！

描述：大西洋记录在Taghazout摩洛哥

描述：位于拉科鲁尼亚（西班牙）省的加利西亚海岸线的标志性短片拍摄：The Dead of Dead

描述：2013年1月9日，在佩纳利山（英国康沃尔郡博斯凯尔港）靠近佩纳利角的海边低处进行的录音，海水直接冲到悬崖边上。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪在这里会更大，因此听起来更壮观；在这个场合，它实际上仍然相当温和，尽管比我之前在2012年6月20日这个位置的录音要多得多。 重复的重击声和'whoomphs'是在海浪撞击悬崖上的各种裂缝和小洞穴的末端时产生的。 较重的声音主要来自于这个录音中正中偏左的一个特殊的小洞穴，我认为它是博卡斯尔吹气孔的向海面（即'接受端'）。 在这段录音中，吹气孔向海的一面，所有沉重的轰鸣声和呜咽声都在左边，录音师面向大海，右边也有一些剧烈的海上活动，但发出的轰鸣声和呜咽声要微妙得多，往往被左边的连续骚动所淹没了。 http://www.broadhorizonnature.co.uk/recordingbyboscastleblowholeseawardsidefacingseaward.jpg 这段录音是用索尼PCMM10放在Hama迷你三脚架上，用Rode Deadkitten覆盖的内置话筒录制的。有一股非常轻微的微风从右边吹来，但在录音中完全注意不到。 可提供此录音的更高质量版本我上传到Freesound的录音是标准CD质量（44.1KHz，16位）。从我2013年1月9日的录音开始，我所有的录音都可以用48KHz 24位的FLAC格式来补充。如果有兴趣，请看我的Broad Horizon Natural Soundscapes页面了解详情。http://www.broadhorizonnature.co.uk/arrowlongright.gif 请注意，2013年1月5日至2月2日（包括这次）的所有录音没有收到任何由新Rode Dead Kitten风箱造成高频衰减的修正。后来，我想出了一个图形均衡配置文件，适用于所有使用该防风罩的录音，并已追溯应用 但我没有计划通过麻烦的方式重新上传最初错过修正的录音。因此，在那个时期制作的录音副本，包括这个，我提供的CD或作为商业用途的许可副本，将有更好的音质，听起来更清晰，更 "存在"，比你从这里听到的细节更精确。 请注意，只有非常好的扬声器/耳机，具有非常宽广的低音响应，才能真正实现这段录音。此外，在有任何形式的繁荣的扬声器上，它可能听起来令人不愉快的繁荣（如我的电脑扬声器！）。还请注意，这个录音的音量水平已经被仔细调整过了，到目前为止，我所有的录音都是为了听一个真实的音量设置来播放古典音乐（一个大型但不特别的交响乐团）的。如果你有正确的音量设置，你应该不需要从我的一个录音中改变这个设置。(后记：这段录音声音比这里好在我的一张商业CD上，可以在我的电子商店。)

描述：2013年1月9日，在佩纳利山（英国康沃尔郡博斯凯尔港）靠近佩纳利角的海边低处进行的录音，海水直接冲向悬崖。 这里是非常崎岖的岩石地带，通常情况下，大西洋的海浪在这里会更大，因此听起来更壮观；在这个场合，它实际上仍然相当温和，尽管比我之前在2012年6月20日这个位置的录音要多得多。 重复的重击声和'whoomphs'是在海浪冲击悬崖上的各种裂缝和小洞穴的末端时产生的。 较重的声音主要来自于一个特殊的小洞穴，在这段录音中，它就在中心的左边，我认为它是博卡斯尔吹气孔的向海一面（即'接收端'）。 因为录音机是指向吹气孔的'后端'（即接收端），所以它实际上大致是沿着悬崖线指向的，右边是开放的大海：

描述：Recording made on 9th January 2013, on the very tip of the top of the Willapark headland (highest point is 97 metres above sea level) on the southwest side of the mouth of Boscastle Harbour, Cornwall, UK. The cliffs here are all very rugged and slabby, mostly being of slate and related rock types, and the southwest tip of this very steep sided to precipitous abrupt hulk of a headland (with coastguard lookout on top) consists of only sparsely vegetated slaty slabs, which jut out aggressively at that southwest tip. On this day I had come up high actually looking for some wind so that I could hang a smallish set of wind chimes on a clifftop tree and make a recording of that, but in the event there was almost no wind up on top, so wind chimes were 'out' and I was thinking that probably my recording for the day was already finished, following my blowhole and related recordings far below. Up here on Willapark it seemed at first to be almost silent, but, particularly when I got over to that exceptionally exposed and 'panoramic' spot the furthestout jutting tip of slabby rock on that southwest end of the top of this headland actually there was here a most amazing aural panorama of distant wave altercations with rugged and complex cliffs. And, what's more, that most outstanding tip of rock just happened to be just right for placing my minitripod really securely. http://www.broadhorizonnature.co.uk/recordingboscastlewillaparkahead.jpghttp://www.broadhorizonnature.co.uk/recordingboscastlewillaparkleft.jpghttp://www.broadhorizonnature.co.uk/recordingboscastlewillaparkright.jpgYes, that really is the recorder actually in the process of making this recording, on the very tip of the rock, on the left Meachard rock island to right. It was thus that I surprised myself by getting this actually quite marvellous recording that I had never before thought of taking. The aural cliffs / sea panorama covers something like 270 degrees (yes, I do mean that much), with the recorder facing squarely southwest to Firebeacon Hill, which latter blocks the view of the more distant coastline to Tintagel and beyond. Thus to the left the sea is pounding and thumping on the cliffs right round into Western Blackapit (behind / left), while that sound becomes increasingly distant round to Firebeacon Hill (ahead), and then round to the right you have the relative silence of the open sea until you get to Meachard rock island (behind / right) and very likely some of the thumps in that direction also coming up from the bottom of this headland, which is hidden from me up here. You really have to tune into this recording and listen carefully to really get the best out of it, for otherwise it can easily seem to be just a rather undifferentiated wash of distant sea sound. It greatly helps to have a very wide stereo separation for your listening, and really good headphones should pick out the details more clearly. You may notice what seems to be very slight wind noise in the righthand microphone at times, but I can assure you that what that really is, is a multitude of very distant thumps and whoomphs from the sea's arguments with a multitude of obstructive bits of cliff, I think particularly on Meachard island. Indeed, the extremely light breeze when I arrived up here fell to actual calm, so the faint booming / drumming sounds had to be coming from another source anyway. This recording was made with a Sony PCMM10 on a Hama minitripod, using the builtin microphones covered with a Rode Deadkitten, though with almost no wind to absolute calm. Higher quality version of this recording availableThe recordings that I upload to Freesound are of standard CD quality (44.1KHz, 16bit). As from my recordings made on 9th January 2013, all my recordings are additionally available in 48KHz 24bit, FLAC format. If interested, please see my Broad Horizon Natural Soundscapes page for details.http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 5th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively but I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction. Therefore, copies of recordings made in that period, including this one, which I supply on CDs or as licensed copies for commercial use, will have better sound quality and will sound clearer, more 'present', and with more precision of detail than what you hear from here. (Later note: This recording with better sound than here is on one of my commercial CDs, paired with a springtime recording from the same headland; for that, go to my eStore.) Please note that only very good speakers / headphones with a very extended bass response will do this recording real justice. Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another. In the case of this recording, it really is meant to be quiet. Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif

描述：Recording made on 9th January 2013, on the northeast side of Boscastle Harbour, at a decidedly precarious position somewhat down on the cliff slabs directly above the blowhole low down on the inland side of the hulk of Penally Point. The blowhole is actually an early stage of the breakingthrough of a sea cave on the seaward side of the hulk of Penally Point, and waves hitting the end of the cave there cause shockwaves in the air and cause the violent ejection of often quite long jets of spray with impressive heavy whoomphs. Those jets of spray are generally roughly horizontal or very slightly inclined upwards, and you can hear the ejected water splashing down following many of the whoomphs. However, on one occasion just while I was setting the recorder up for this recording, there was an almighty whoomph, much more strongly 'earthquaky' than any of the others I heard, and the ensuing jet from the blowhole shot up to even a bit higher than where I was though fortunately spray didn't come this way, so I didn't have to retreat. http://www.broadhorizonnature.co.uk/penallysideboscastleharbourlowerblowhole.jpgThe blowhole in operation at the foot of the cliff.The recorder is an almost imperceptible whitish speck on the steep slope. http://www.broadhorizonnature.co.uk/recordingboscastleblowholefromjustabove.jpgThat looks precarious? Yes, it was, especially as many patches of the rock slabs there were wet and slippery. I had to use extreme care in getting down from the rough little track on the rocks to the recorder position but at least it was worth it The tide was coming in during this recording, and from about halfway through this results in the blowhole whoomphs and ejections becoming progressively smaller. Indeed, I thought that they had actually stopped altogether and that I'd want to cut off some of this recording but it is clear from listening to it, that the blowhole had just become much more subdued and not (at least then) actually nonoperational. This recording was made with a Sony PCMM10 on a Hama minitripod, using the builtin microphones covered with a Rode Deadkitten. There was a very light breeze coming from behind / left of the recorder, but not enough to notice at all in the recording. Higher quality version of this recording availableThe recordings that I upload to Freesound are of standard CD quality (44.1KHz, 16bit). As from my recordings made on 9th January 2013, all my recordings are additionally available in 48KHz 24bit, FLAC format. If interested, please see my Broad Horizon Natural Soundscapes page for details.http://www.broadhorizonnature.co.uk/arrowlongright.gif Please note that all recordings from 7th January to 2nd Feb 2013, inclusive (i.e. including this one) did not receive any correction for highfrequency attenuation caused by the new Rode Dead Kitten windshield. Subsequently I was able to work out a graphic EQ profile to apply to all recordings that used that windshield, and have applied it retrospectively but I have no plans to go through the hassle of reuploading here the recordings that originally missed out on that correction. Therefore, copies of recordings made in that period, including this one, which I supply on CDs or as licensed copies for commercial use, will have better sound quality and will sound clearer, more 'present', and with more precision of detail than what you hear from here. Please note that only very good speakers / headphones with a very extended bass response will do this recording real justice. Also, it may sound unpleasantly boomy on speakers that have any sort of boominess (like my computer speakers). Please also note that the volume level of this recording has been carefully adjusted for listening purposes, and ALL my recordings so far are meant to be listened to with a volume setting that would give a realistic level for playback of CLASSICAL music (a large but not exceptional symphony orchestra). If you have the right volume setting, you should not need to change that setting from one recording of mine to another.(Later note: This recording with better sound than here is on one of my commercial CDs, and can be found in my eStore.) Please remember to give this recording a rating http://www.broadhorizonnature.co.uk/meicon_wink.gif